His name is Rio! And he dances on the sand! My name is Jeff! I was not a fan of the meme!

Together, we are here to finish what we started, which is answering the questions of the beautiful benighted souls on Patreon!

First up is Tim Rifenburg:

Hey Guys,

Thanks for doing the question thing again.

  • Question 1: Is there any character / company crossover you would like to see and who would write and draw it?
  • Question 2: Are you ever sorry you started the FF read through? I enjoy listening to your thoughts but you sometimes seem like you are struggling through the books.

Then there’s Ethan Johnson:

There are two variations, I don’t care which one you answer.

  • Marvel buys DC and moves existing Marvel creative teams intact to take over DC properties.  Pair creative teams with books.  I’ll allow recent iconic teams, because if you don’t put Hickman & Opeña on LSH, you’re crazypants.
  • Same scenario, but no DC.  Just shuffle existing intactcreative teams onto other properties, like when Byrne & Mantlo swapped Alpha Flight & Hulk!

(Psst! Because Jeff was so proud of his list, he insisted on including it here:)

  • Okay. Hickman and Opena on LSH. Sure. But honestly I think a better take would be Gillen & McKelvie?

And, then, uh, in no particular order, other than how I think of ‘em:

  • Al Ewing and Barry Kitson on JLA;
  • Al Ewing and Elsa Charretier on The Flash;
  • Al Ewing and John Cassaday on Forever People;
  • Dan Slott turned Spider-Man into Batman; maybe if he wrote Batman, he’d turn him into Spider-Man? No, just kidding: I’d give Dan Slott and Sanford Greene Angel & The Ape. (Maybe Slott could have Batman, Inc?)
  • Chip Zdarsky and Leonardo Romero doing Ambush Bug: Year Done;
    Ta-Nehisi Coates and Brian Steelfreeze doing Superman (I should probably say Wonder Woman and then they can just lightly rewrite their issues?);
  • And I guess Mark Waid and Chris Samnee on Action?
  • Jason Aaron and Goran Parlov doing Jonah Hex as one title, Batman as the other (I guess I was kidding about Dan Slott?)
  • Bendis doing Green Lantern (with Mike Deodato?), Aquaman (or maybe that’s Mike Deodato?), Green Arrow & Black Canary (with Dave Marquez), and Teen Titans (with Mark Bagley)
  • Ryan North and Erica Henderson get the coveted The Brave & The Bold treatment
  • Greg Pak and Chris Samnee/Stuart Immonen could take Wonder Woman?
  • Felipe Smith writing and drawing Vibe;
  • G. Willow Wilson and Tradd Moore on Teen Titans;
  • Jeff Lemire and Greg Smallwood on The Rose & The Thorn;
  • Ryan North (again!) and Gurihuru on Lois Lane;
  • Becky Cloonan and Olivier Coipel on Nightwing;
  • David Walker and Robbi Rodriguez on Batman and the Outsiders;
  • Tom Taylor and Phil Noto on Catwoman;
  • Nick Spencer and Jesus Saiz on Freedom Fighters;
  • Chris Hastings and Daniel Acuna on Metal Men;
  • Mark Waid And Humberto Ramos on Impulse;
  • Roxane Gay and Jackson “Butch” Guice on Suicide Squad;
  • Jason Aaron and Alex Maleev on John Constantine;
  • Matthew Rosenberg and Joe Quinones on Harley Quinn;
  • Gerry Dugan and Jim Cheung on Secret Six;
  • Jeff Lemire and Mike DelMundo on The Question;
  • Jason Aaron and Chris Bachalo on Thriller.

Thomas Williams is curious:

The past two years during either SDCC  or NYCC, Valiant do a huge sale and I end up buying the entire past year of back issues and binging them. I always find that the comics are just great with solid story, characters and art. However once this sale is over I am back to forgetting these books in my weekly purchases. What can Valiant do to get people like me to remember them throughout the year?

Also Graeme, of VanLente’s Archer and Armstrong and Timewalker which do you prefer?

Evan Cass wants to know:

Are there artists that you used to adore aesthetically that you can’t stand anymore due to those same aesthetics? Two of my favorite artists as a teen were Art Adams & Ron Lim; I loved their work. Now as a 40something their work literally upsets my stomach; it repulses me. I’m curious if you’ve experienced similar with any former favorites, and why you think that might be. Thanks for the show.

Here comes good ol’ Badger Mushroom:

You asked your Patreon patrons (of which I am one) for questions to waffle about. So here’s one: what do you two think of the recent purchase of The Beat by Lion Forge? Any implications for comics journalism?

(I should note that I have great respect for Heidi MacDonald and the staff of The Beat. I just want to hear the experts weigh in. 😉 )

Thanks to you both for an entertaining and informative podcast, and thanks to Empress Audrey, Queen of the Galaxy, for bestowing her mercy on us all.

Brendan O’Hare has all the best questions!

For Jeff: Who did you wife/husband up on Stardew Valley?

For Graeme and Jeff: I know Jeff recently parted ways with most of his comic book collection, but are either of you still going through back issue bins to fill in a run? If so, which ones?

And finally, here’s our pal Roger Winston:

I totally missed submitting a question for the Q&A podcast, but I see you are extending it to a second episode. I know you are already full of questions, but here’s mine just in case you need another:

Background:

I sold off the bulk of my collection (~22k books) several years ago and stopped reading. But a few years after that, I discovered digital and got back in (mostly thanks to my iPad and Locke & Key). Now I am totally addicted to Comixology (and to a lesser extent, Marvel Unlimited) and spend way too much money there, buying a lot of books, most of which I will probably never read. I think I felt a need to replace my print collection with digital. At least it takes up less space.

Question 1:

Do you ever think there will come a time when we will lose the rights to the comics we have bought digitally? I don’t think I ever read the Comixology terms of condition, out of fear. But I worry about them going out of business or changing their model or dropping publishers or whatever. Although them being owned by Amazon does make me feel more secure. I have downloaded DRM-free whatever I can for backups, but that is limited to some indie publishers (mostly Image in my case) -Marvel & DC don’t allow that. So was I stupid to have sank so much money (most of it during sales, luckily) into something that could potentially go away before I have a chance to enjoy it? Oh, the hazards of being an obsessive collector, even when there’s no physical component.

Question 2:

Do you think DC will ever come out with a DC Unlimited type service? The bulk of the digital comics I have bought are DC. On one hand, I would love this, because then I could stop buying back issues. (I’ve bought very few Marvels since subscribing to MU.) OTOH, I would hate this because it means I spent a lot on things I could then read a lot cheaper. I have heard some suggestions that DC’s new TV streaming service might include a comics unlimited type service as well, which does make a certain amount of sense.

And that’s that!  Again, our thanks to all of you for tuning in, and a super big thanks for those of you on Patreon for you generosity!

Join us next week for a Baxter Building!  Issues #314-324 of The Fantastic Four!

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(Alternate Episode Title: Ask The Answer Men!) http://theworkingdraft.com/media/podcasts2/WaitWhat236.mp3 Lo, again it is the time!  Graeme “Rio” McMillan asked our fine supporters on Patreon for questions so that he and Jeff “Union of the Snake” Lester…

http://theworkingdraft.com/media/podcasts2/WaitWhat216.mp3 0:00-34:58: Greetings, and wishes for a happy new year!  Believe it or not, we are super-hasty in this part and in literally less than a minute we are discussing….Rogue One: A Star Wars Story!…

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0:00-7:06: Greetings!  Because Jeff is an idiot, we lost the first hour and sixteen minutes of our recording.  So today’s episode will be comparatively short and it starts up with us telling you what you missed. It’s a surprisingly complete summary of seventy-six minutes jammed into six.  Discussion of what we discussed:  Batman Day (which this episode was recorded on), Batman vs. Superman: Dawn of Justice; Injection by Warren Ellis and Declan Shalvey; 2000 A.D. Prog. 2000; Suicide Squad #2 by Rob Williams, Jim Lee, and Ivan Reis; Jeff’s admiration for Superwoman #2 and Graeme’s for Supergirl; Detective Comics and Chris Claremont’s New Mutants; All-Star Batman #2; and Tom King’s Batman, which is where we catch up, since Graeme has to reiterate his point about…

batmantomking7:06-32:23: Tom King and the connection between The Vision and Sheriff of Babylon (which King has described as being part of an unofficial trilogy with his Omega Men), and how it connects to the first six issues we’ve read of Batman.  Also discussed: Alan Moore and Alan Moore’s Jerusalem; the promotional interviews with Alan Moore for Alan Moore’s Jerusalem; what would be the non-comic related questions we would ask Alan Moore; and mo(o)re.

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32:23-36:13:  Jeff wanted to talks about Moon Knight #6 by Jeff Lemire, Wilfredo Torres, Francesco Francavilla, and James Stokoe (!) where Lemire finally has a take on the character that really works for Jeff.
36:13-38:16: Jeff does a loose compare/contrast between Moon Knight and the first issue of Doom Patrol by Gerard Way, Nick Derington, and Tamra Bonvilliain.  A good fun book with some absolutely lovely art by Derington and colors by Bonvillain.

countnefariavsquirrelgirl38:16-57:25: Jeff also wants to give a shout-out to latest issue of Unbeatable Squirrel Girl with fill-in art by Jacob Chabot and another crazily strong script by Ryan North.  And after that, we talk a bit about North’s first issue of Jughead (which sounds *amazing*), which leads us to a not-thrilled impression of Zdarsky’s Howard The Duck, Marvel and hip-hop and much more.
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57:25-1:07:55: Also read and also (lightly) discussed:  The Fix #5 by Nick Spencer and Steve Lieber; Paper Girls #9 by Brian K. Vaughan, Cliff Chiang, Matt Wilson and Jared K. Fletcher; Saga by Vaughan and Staples; old issues of Ms. Marvel written by Chris Claremont; and more.

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1:07:55-1:11:33:  Sad to say, either Graeme did most of the talking in our lost hour, or maybe Jeff was out of control there too, but Jeff does too much talking this episode, even if it’s for a good cause like showing some love for the insane “Prisoners of Three Worlds” story from 1963’s Batman #153, by Bill Finger, Henry Boltinoff, Jack Schiff and Sheldon Moldoff, recently purchased during Comixology’s Road to Batman Day Sale.
1:11:33-1:15:02: I can’t adequately describe how we got to discussing Denny O’Neil’s career as writer and editor, a case Jeff tries to make by incorrectly assigning at least two Batman characters’ first appearances to the wrong era.
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1:15:02-1:19:10:
Graeeme has some wonderful stuff to tell us about Books With Pictures, a great little comic book store in Portland, Oregon with a back issue drawer curated by Douglas Wolk, as well as the back issues he, Graeme, picked up from said drawer.  Mentioned: Heroes and Legends; the Legion of Substitute Heroes Special from 1995; Superman’s Girl Friend, Lois Lane issue #115; Superman and Batman: Heroes Against Hunger; and the zines from our colleagues Jay and Miles.
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1:19:10-end: Closing comments! Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.

Next week:  Baxter Building Ep. 21! Read issues #184-200 of the first volume of The Fantastic Four and deconstruct them with us!  We will see you then!
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0:00-4:06: Greetings!  How’s the weather, you ask?  Well, Graeme McMillan and the rest of Portland, Oregon are boiling alive!  Jeff’s fine, thanks for asking, but since he knows fine doesn’t carry well—podcasts being what Marshall McLuhan would call a “hot” medium—he moves us to the towering mountain of remaining listeners’ questions!  Will he and Graeme get through all of the questions by the end of the podcast?  Place your bets now!

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4:06-16:24:  Kevin Moreau asks:  I have two questions that I hope you can find the time to answer as you’re patrolling Hub City to keep us all safe from crime. 1.  It’s well known that Graeme is not a fan of the Marvel Cinematic Universe movies. Is there a comic-book movie (MCU, DC or otherwise) made since the dawn of the MCU (so since 2008) that you love or at least like, and what does it do right that the MCU movies largely don’t? (Primarily for Graeme, but Jeff please feel free to chime in as well.)

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16:24-27:51: Kevin also wants to know:  2. Largely for Jeff, but if Graeme has any input, please feel free: I find manga largely impenetrable, but I want to give it a fair shake. What is it that appeals to you about the form, and what would you recommend for a newbie who finds it hard to get past the cartoon-y expressions and overall exaggerated nature of what little I’ve glimpsed?
27:51-35:51:  Charles Forsman inquires:   1. Spawn/Batman or Batman/Spawn?  2. What’s the deal with all these comic books coming out every week?

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35:51-47:20: Tom Bondurant queries: DC/Warners are putting out an animated version of The Judas Contract, in which a spunky 16-year-old superheroine is (spoilers!) revealed to be a stone-cold sociopath who hates the Teen Titans, is probably sleeping with the much-older Deathstroke the Terminator, and dies after being literally buried by her own rage-spawned freakout. I still have a lot of affection for TJC, especially in the context of New Teen Titans generally, but a) does it seem that problematic to you and b) what changes, if any, do you expect the adaptation to make?
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47:20-55:50:  Matt Miller wonders:  Already asked one of my questions on Twitter, so here’s my 2nd: You two are starting a Crossgen-esque company dealing in popular (but non-superhero) genres. What two writer/artist teams (or cartoonists) would you recruit and what genre do you put them on?
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55:50-1:02:40:   Evan Harrison Cass interrogates:  Jeff, what is your current ethical stand regarding the purchase of Marvel product? I’ve lost track.  Also:  When Tim Seeley and Tom King were co-writing their critically acclaimed Grayson run, most critics – including you two – assumed Seeley’s contribution wasn’t as ‘key’ as King’s. I know for a fact that Tim felt frustrated that he wasn’t given fair credit for bits that were his that were critically celebrated. What shapes the impression that a Seeley type writer is B-list while a King type is A-list?
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1:02:40-1:11:46:  Ray Mescallado queries:   You get to greenlight a Legion of Super-Heroes movie. What era of Legion would you use (Grell 70s, Levitz/Giffen, Five Years After, reboot, threeboot, etc) and why? Would you connect it to the cinematic DCU and how? Which Legionnaires would you focus on, and who do you imagine playing their roles?
1:11:46-1:22:18:   Levi Tompkins ponders: Do you think the lack of lgbtqi characters in Marvel books now is a result of them worried about how to deal with presenting those characters in other mediums like cartoons and movies? What do you think of valiant’s plans to create a movie-verse, or valiant’s attempts at extending their brand into other media formats in general?
Celestials1:22:18-1:30:58:  Garrett asks:  My question(s) are: Could a Jack Kirby (creative output and brand new ideas) exist in today’s comic’s industry? Are there any writers, artists, or writer/artists currently working today that come close?
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1:30:58-1:41:52:   Adam Wolfe inquires: 1st question: I read the first Flintstones by Mark Russell and I have the same feeling about it that I usually do after reading a Thomas Pynchon book: amused, a little perplexed, not sure if I get everything the author put in, but ultimately this feeling that I read something intellectual that I should feel smart for having read. Ultimately I think I enjoyed it but I was wondering, what are your thoughts on this series and is Russell’s Prez going to see a second volume? 2nd question: Do you think that Grant Morrison steal his idea of transporting to different universe through a musical instrument in Multiversity from the Heman Masters of the Universe movie from the 80s? There’s a dwarf like creature in that movie that uses a type of flute if I recall to travel back and forth from our realm to that Eternia.
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1:41:52-1:52:48:   Roger Winston (Flasshe) cross-examines: 1) As a big time Legion of Super-Heroes fanboy from way back (Cockrum, Grell, Levitz/Giffen, beyond) I am incensed that DC doesn’t know what to do with the LSH these days. Why is that? Is the concept just not something that connects with modern audiences? Or have they just not found the correct approach or creators to make it work nowadays? What do you think DC should do with the property? (I’m counting all this as one question, though you are free to handle it as you see fit.)  (2) What is your preferred comic reading environment? For me, it’s iPad/recliner/beer/music on the headphones, usually after work and before dinner. If I try to read in bed at night, it’s snooze-land and no retention.
1:52:48-1:53:04:  Yonatan offers: when DC finally brings the Legion back, what creative team? 
1:53:04-1:56:18:  Dave Clarke requests: compare and contrast Judge Dredd big summer events with those of the big 2?
1:56:18-1:57:44:  Steven E. Chambers plays good cop:  easy one: have you two been keeping up with Rucka and Lark’s Lazarus?
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1:57:44-2:01:10:  Scott Rowland is bad cop:  I’m 100 episodes behind, so you may have covered, but any thoughts on Steve Ditko’s independent work over the years? And thoughts on Ditjko’s string of modest, but successful Kickstarters to publish new material? 
2:01:10-2:06:08: Art Lyon is dramatic reading cop:  What long-run title would u analyze a la your Baxter Building eps if u weren’t doing FF or – gasp! – *after* u finish FF?
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2:06:08-end: Closing comments! Next week will be a Q&A session so please feel free to tweet or email us your questions. Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
Next week:  Baxter Building Episode #20!  Fantastic Four #171-184!  Join us!
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http://theworkingdraft.com/media/podcasts/WaitWhat206.mp3 0:00-4:22: Greetings from Lost Lake Loop—okay, it’s actually Portland and San Francisco but we swear LLL (a location that sounds like a love interest for Superman when I abbreviate it like that) is actually…

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[Please note: although we talk about so very many comics in this episode, I decided to pull images exclusively from the brilliant Transformers vs. G.I. Joe by Tom Scioli and John Barber. I accept full responsibility and apologize for any resulting cognitive dissonance.]

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0:00-21:06: Greetings from your tech-confused team (or as Graeme suggests far too late for our actual opening, RiRi Lester and Victor Von McMillan), who are dealing with a strangely loud recording.  Adjust your volume to taste, and buckle up, buttercup, as we start in on almost immediately on the exciting world of comic news (Marvel edition).  We cover Marvel’s announcements for its forthcoming Marvel Now! launch (a new Invincible Iron Man, a new Infamous Iron Man, new Champions title, U.S. Avengers, etc.,), the timing of their information release, etc. Discussed:  all of the above, plus: Jeff misunderstands Graeme’s use of the word singularity and so just parrots Graeme’s point; a casual invitation for a tech-talented Whatnaut to put the movie Interstellar to good use; Marvel has never had a black female writer ever; David Walker getting backing at Marvel; and more.
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21:06-43:42: A bit more about Iron Man, which Jeff has not been following at all, but Graeme as a reader is a little concerned that the teases that Bendis made when starting the book less than a year ago are already set to either be truncated or abandoned.  Discussed: abandoned storylines; Captain America: Agent of Hydra and Marvel editors and Marvel creators literally saying whatever they want, even if it bears no relation to reality, just to sell a book; Dr. Doom in name only; whether one of the characters in the Champions is a spoiler; and more.
43:42-50:11: After covering Marvel’s outwardly confident movement toward its next nonboot, and DC’s more conciliatory, albeit coded, approach to Rebirth, Graeme wonders if Marvel’s strangely rushed and off announcements have a lot in common with the DC You marketing blunders, which thank goodness at least gives us a little bit of time to talk about Midnighter by Steve Orlandao and ACO, which Graeme fully spoils but also makes sound very satisfying and great.  Also discussed: Black Canary; liking books enough to stick around; Bourne Identity Aquaman; and more.
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50:11-58:26: “You’re not reading the DC Rebirth books, right?” asks Graeme, gently, hoping to avoid a prime Jeff rant.  And that almost kind of works?  But Jeff has read the first two issues of Batman by Tom King and David Finch; but Graeme is really onboard with Aquaman after the events of the second issue.  Also discussed: the second issue of Batman, Jeff’s frustration and Graeme’s theory about the last page reveal; and more.
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58:26-1:10:46:  Graeme went on a back-issue spree at his excellent local store Cloud Nine Comics where he purchased almost the entire run of Hawk and Dove by Barbara and Karl Kesel, so Graeme gets to recap the history of the original Hawk and Dove, the second team from the late ‘80s, the very, uh, offbeat conclusion to the series, and a lot of discussion about DC’s Armageddon 2001, an event DC does not seem particularly keen to reprint and which *dove*tails with the end of Hawk and Dove.  Also discussed: Armageddon: The Alien Agenda; Zero Hour; and the punting of Captain Atom’s next series.
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1:10:46-1:35:01:  The other title Graeme of which bought a lot of back issues?  Marvel Fanfare, the prestige paper anthology/inventory title edited by Al Milgrom; “Every issue is an oddity,” is how Graeme describes it quite nicely but wow, some of these oddities!  An Angel story by Ann Nocenti and David Mazzuchelli, to name just one!  Also discussed: 80s Marvel vs. 70s Marvel; the delight that is the art of Tony Salmons; Trevor Von Eeden in the ‘80s which, of course, makes it all but impossible to avoid bringing up Dick Giordano, Robert Loren Fleming, and Thriller; an amazing Jim Shooter anecdote about Bill Sienkiewicz; spitballing new and exciting Patreon extras; Jim Owsley’s promotional material for The Falcon; and, hoo boy, more.
1:35:01-1:40:39:  And what’s Jeff been reading? He’s re-read and didn’t quite finish the remarkable Transformers vs. G.I. Joe by Tom Scioli and John Barber, having only made it up to issue #10 on this particular go round, but he has many positive things to say including the statement, “Transformers vs. G.I. Joe is the Paul’s Boutique of comic books.”
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1:40:39-2:00:52:  Unfortunately, Jeff was not nearly as impressed with Dark Night: A True Batman Story by Paul Dini and Eduardo Risso that he picked up on the long-ago recommendation of a certain nameless someone whose initials are Graeme McMillan.  Part of the problem is clearly Jeff’s expectations for the book, which is not entirely fair to the book, but there are other problems at work, insists Jeff.  Discussion ensues! (To the point of uncomfortable stridency on the part of Jeff.)
2:00:52-2:01:54: By contrast, Jeff read The Colonel Corps, the second issue of promotional DC/KFC (KFDC?) comics starring Colonel Sanders and the DC multiverse.  He thought it was pretty good!
2:01:54-2:29:14: And finally, to wrap up this edition of “Jeff’s Bad Faith Adventures,” after railing about the way the launch of Comixology Umlimited treated creators, he…signs up for Comixology Unlimited?  Jeff, what is up with that?  But also: what’s the deal with Comixology Unlimited? Discussed:  searching on Comixology Unlimited; Doc Savage Archives Vol. 1; As The Gods Will; the generosity of Chris Arrant; Hoopla (which, contrary to what Jeff says, will allow him to borrow graphic novels now); and more.
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2:29:14-end:  Closing comments, but with some bonus bits of commentary from Graeme about “Not Brand Echh”!  Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
Next week:  Skip Week!  There are some crazy reasons but join us in two weeks for the next episode of Baxter Building, where we’ll be discussing issues #160 to #170 of the Fantastic Four!
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http://theworkingdraft.com/media/podcasts/WaitWhat203.mp3 0:00-2:28: Greetings from the Sleepy Duo, Graeme and Jeff!  One of is justified in their tiredness, one of them is not, but they still can manage to work up enough steam to discuss… 2:28-16:15:…

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0:00-05:25: Greetings! Graeme and I are still recovering from our version of Civil War—the DC Rebirth #1 roundtable from just a few days back.  Fortunately, Graeme knows just what it takes to heal the wounds of battle: a story about  his friendly nieghborhood Chatty Cat!  (Chatty Cat No. 2, no less!)

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05:25-12:51:  From Chatty Cat No. 2, to comics we’ve read this week.  Jeff has not read much—although he quite liked Revenger and the Fog #2—and Graeme has read a lot, but some of it is still under embargo (for those of you that are wondering, no, Graeme did not go on to tell Jeff about the books off-air).  So instead we kinda bitch a bit about the difficulty of keeping track of what you’ve read on Marvel Unlimited and Comixology.  Discussed: what percentage of Graeme’s Comixology In Progress list is for work; Jack Katz’s First Kingdom; and spending hours in school drawing barbarian arms.
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12:51-30:03:  Speaking of squandering precious time, Jeff has been playing Marvel Future’s Fight on his iPad, but before he can get to the point of something he finds quite sad, we have to get through a brief history of RPGs, Diablo, and free to play games.  Discussed:  who the hell is Singularity; all of the above, plus the absence of The Fantastic Four and The X-Men; and Graeme having read Contest of Champions and loving it but being art-blocked on New Avengers; all those teams featuring Johnny Storm; and a moment of lovely humanity, courtesy of Gene Yang.

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Cap sketch by Cameron Stewart, modified slightly on Twitter.

30:03-48:00: We have listener questions!  And we do want to answer them, we assure you, but Jeff also kinda wants to talk about Hydra Cap, the big reveal that somehow managed to outshine—or at least consume as much internet chatter—DC’s big reveal in DC Rebirth #1.  Discussed:  Old school Hydra; The MCU’s Hydra and people’s conception of the Marvel characters; Ed Brubaker’s Captain America run; what will happen to Alan Scott in post-Rebirth; and more.
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48:00-49:40: “Graeme, are we ever going to get to listener’s questions?” asks Jeff.  Fortunately, we are!  Thomas Williams asks: “I’ve always wanted to know what Graeme thought of the last page ending of Archer and Armstrong. I thought it’s one of the best last pages of a series.”
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49:40-59:55: Ahmed Bhuiyan says:  “You guys have come a long way, I remember back in the day when the first half hour of each episode seemed to be you guys comparing juice fasts/cleanses. I kind of miss those to be honest. Anyways, on to questions! Answer as many or as few as you like of course.
1. Is the concept of a shared universe hurting or helping comics these days?
2. What work of Jack Kirby wouldn’t you recommend? (Thanks to you all and the Baxter Building segments I have been trolling eBay for the Fourth World Omnibii…only volume 2 left!)
3. Why are you two so awesome? Seriously, funny, insightful, and pretty relatable, despite how pretty hardcore do you analyze the story/creator, love it!
Keep up the great work guys, stay well, and tell Graeme to relax more and send Jeff some waffles, we haven’t had a Waffle Window update in ages it feels!”
59:55-1:13:31:  Adam Knave throws us this hypothetical: “You need to put people on the dc rebirth books. You can’t change the titles themselves, only creative teams. What are a few of your choices? (Besides giving me Super Sons, obviously…)”
batman #420 pg00
1:13:31-1:23:59:  Gary Katselas (LeonK) asks : “Gentlemen, it seems I’m one of the few people who enjoyed ‘Man of Steel’ and ‘Batman Vs Superman’ more than Marvel’s many film offerings, including the recently released ‘Civil War’ which has garnered widespread acclaim among mainstream critical circles. This irks me slightly because I am most assuredly a Marvel fanboy and I find their conservative production approach too constrictive to produce interesting results. I much prefer the operatic pretensions of ‘Batman vs Superman’ and the troubling uncertainty that was injected into the Superman mythos in ‘Man of Steel’ (as well as numerous moments of sheer filmmaking insanity). Which brings me to my question: having read very little in the way of DC comics, I’d be interested to hear your thoughts on what comic series or storylines (Superman, Batman or otherwise) most closely match these films in tone and thematic concern?”

1:23:59-1:29:21:  Devin King asks:  “My question: Why is Watchmen a bad movie? I know its reputation but can’t find any critical responses to it. I know the common reaction was that it tries too hard to emulate the book but…isn’t that supposed to be a good thing?”

1:29:21-1:34:35:  Check this out from Heath Edwards:  “Hey fellas, super huge congratulations on getting the 200th episode! If I may suggest a topic for discussion:
mutants = minority groups
versus
Inhumans = generation hashtag
How do the different methods of the mutants /inhumans getting their powers inform today’s readers of their own methods of empowerment?
Mutants gain their powers genetically (internal), whereas the inhumans gain their powers from the terrigen mists (external).
The mutants have no choice in their empowerment: “I was born this way”
Though, I can’t remember if there hasn’t been a story about subconscious choice being a part of the empowerment of the inhumans: “I am shy, I shall be a window” type thing
How, if at all, do these ideas play into contemporary empowerment?”
lsh
1:34:35-1:42:09:  Hey it’s Gar Berner!  And he asks: “I just wanted to wish you two continued success on the podcast and your other endeavors and that I’m looking forward to the next 200!
My probably late question is:
Which Legionnnaire (from the Legion of Super Heroes, not the French army) do you most identify with?
The lack of Legion support by DC Comics is sad. Granted, it’s a concept a bit past it’s prime as you both mentioned. There is some angle or 2016 twist that needs to be unlocked for the LSH to be the success that it should.”
GALU
1:42:09-2:01:01:  Here comes Levi Tompkins, you guys!  Levi has four big questions for us:
Q1 You guys have talked a lot about some of the weirdness that guys like Englehart, Claremont, and even Shooter have brought to comics do to their own particular sexual ideals and hangups.  Do you think that modern big 2 comics has divorced itself from that sort of thing, and if so do you think its better off for it?
(As someone who has been rather warped by things read in Claremont comics and other places as a kid its one of those things I think about a lot)
Q2 What would Modern Marvel events be like under people like Englehart or Kirby.  What would a Kirby Event look like?
Q3  With the Gotham Academy Lumberjanes crossover coming, any other non big two books you think it would be interesting to have crossover with the Marvel or DC?
Q4 Who are your favorite new Big 2 characters.  I find myself really adoring some of the newer X-characters, or Gotham Academy kids, any people from the last 10 years you adore and think could last?”
2:01:01-2:01:55: Maybe not a question per se, but Bruce Baugh has a beautiful white-hot burn:
“What we need is a little Wait What app that would grab from a list of Jeff’s favorite favorite nouns, with audio of him saying them, and drop into sentences of the podcast as needed. So when Jeff says “It’s not just Kirby, though, so much as, well, his approach to, but not fully until the DC, yeah no, it also appears, or least I think it’s suggested in some of the coloring for, hmm, yes, him and also some of the others who were in…”, We’d get “”It’s not just Kirby, though, so much as, well, his approach to [recontextualization], but not fully until the DC [collection], yeah no, it also appears, or least I think it’s suggested in some of the coloring for [Don Heck], hmm, yes, him and also some of the others who were in [editorial]…”
2:01:55-2:06:29:  And here’s the matching “question” from long-time chum of the podcast Robert Grzech:
“In light of the critical failure of BvS and Graeme’s on-air lukewarm reception and off-air distaste for the latest Captain America movie, I’m truly curious as to what your opinions are as to what exactly makes for a good comic book movie?
What are your expectations? Graeme doesn’t like Marvel in general so he’s not exactly the audience for Marvel movies. This makes me wonder why Graeme even went to Captain America, especially if he knew what he was going to get and went into it with what sounds like a predisposition to hating the movie. And if Graeme didn’t like Captain America, what exactly would he have done differently?  What would have made the movie work for him? I thought the movie was far better than the comic book version of Civil War. I realize this is all subjective, but Graeme’s shock (shock, I say!) that any reasonable person would like Captain America was frankly insulting. All he had to say was he didn’t like it because he’s Graeme.
I paid $5.95 to watch Captain America at a Saturday matinee. $5.95 for a 2 hour movie!  I was highly entertained. I’ve bought floppies for almost that much, which I’ve read in 10 minutes before throwing them into the garbage can. And no, it’s not 2 hours out of my life. I don’t want those 2 hours back or I wouldn’t have gone in the first place. I look at these movies as comic books brought to life, and Marvel does a decent job of staying true to the characters. If the characterizations are to be criticized because they seem stilted or cartoonish or underdeveloped, that’s because these are comic book characters!
If they had made these movies back when we were kids, we would have gone crazy. Yeah, I know, the technology would have sucked and the early Captain America movie was an obvious example of that. These movies are comic books brought to life. That’s how I look at them. Some are harder to watch than others (Fantastic Four and Green Lantern, I’m looking at you), but generally they have met and at times, exceeded my expectations. I’m not looking for The Godfather or Annie Hall here. Just entertainment for a few dollars.
Why so serious?
Relax and enjoy them or stay home.”
Infinity Imperative
2:06:29-2:22:22:  Chad Nevett, here is your question!  (Also, I apologize for being an absolute idiot!):  “I just finished your 200th episode and have a question for episode 201: I don’t remember either of you ever saying much about John Constantine or Hellblazer (maybe you did and I forgot or didn’t hear it, because I rarely listen — not because I don’t enjoy the podcast, purely because wife, kid, job, sleep, and everything else gets in the way), but what are your thoughts on the character/comics?”
2:22:22-end: Closing Comments!  You can tell Jeff is tired when you hear him go straight to the closing without the comments!  Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr,  and our special thanks to the kind crew at American Ninth Art Studios for their continuing support of this podcast, as well as our continuing special thanks to the Empress Audrey, Queen of the Galaxy…and to our125 supporters on Patreon who make all this possible.
NEXT WEEK:  is a skip week! Let your ears rest and recover, and then join us for Wait, What? Ep. 202!
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