http://theworkingdraft.com/media/podcasts/BaxterBuildingEp21.mp3 Previously on Baxter Building: Which was the more important event that happened in the previous episode: The arrival of George Perez as artist, or Reed Richards losing his super powers? Both cases can be…

Wolverbird

0:00-3:46: We get right into it, no kidding!  There’s maybe twenty seconds of baffled recognition from your hosts, and then it’s right into answering questions.  BUT!  Before we get into the final round of questions from our Patreon supporters, Jeff has a few questions for Graeme.  First up:  how does Graeme feel about the CW shows (including shows like Flash and Arrow) leaving Hulu?  Discussed:  Seth Meyers monologues; late night TV; and just an eensy bit more before moving into a more substantive topic…

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3:46-17:49:  Earlier in the week, Jude Terror over at The Outhousers wrote a condemnatory piece on the Direct Market that stirred up a lot of reactions and support online.  What did Graeme think about it?  What did Jeff think about it?  And what *is* wrong with the Direct Market? Discussed: Nighthawk; Omega Men; the direct market and cableization of TV; and more.  So much more, in fact, that Graeme jumps the queue on our listeners’ questions to pivot to one related to the topic at hand, and so…
17:49-51:56:  Comic Cruncher asks:  floppies vs GNs/TBPs vs digital – how do you see the market developing and what are the implications for the future?  Discussed: the sales numbers for DC Rebirth; the very strange side-effects of double-shipping; some finger-pointing from Jeff about the plateau/depression of digital comics; Graeme believes a Comixology comic was yanked from his collection (has anyone else had this happen?); Marvel’s reaction to freak hits; Angry Birds vs. DC Super Hero Girls; and more.
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51:56-55:29: Maxy Bee asks:  how startled are you that Levitz’s Doctor Fate is the last remaining DCYou title, and still kicking at that?  Discussed: the DCYou book that outlived Doctor Fate; Jeff decided to turn cancelled DCYou books into codenames; and more.
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55:29-1:07:23:  Jeffrey Brown brings down the interrogation:  what are your thoughts about the Recent Suicide Squad movie compared to Ostrander’s run on the comics post crisis? And The Films Depiction of Harley Quinn, The Joker, Captain Boomerang & the movie’s plot + Enchantress? and lastly what are your thoughts DC Young Animal titles : Doom Patrol, Shade, Cave Carson? Discussed:  all of the above, plus a bit more.
ChaykinSketchbook1:07:23-1:22:23:  Two Qs from Paul R Jaissle:  (1) I recently reread Howard Chaykin’s American Flagg! and was struck by how innovate and influential it really was (there’s definitely a lot more Chaykin in Tom Scioli’s Transformers vs GI Joe than I noticed at first). Why don’t you think it’s more regularly recognized or cited along with DKR and Watchmen as a seminal ’80s comic? (2) Given the success of DCU properties on TV (including Vertigo stuff like iZombie and Preacher) as well as the current popularity of “weird” shows like Stranger Things, how would you two cast and pitch a Doom Patrol TV series? Discussed:  the challenges to establishing Chaykin’s legacy; our dream DC TV shows; Avatar; and more.
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1:22:23-1:37:35:  And the ever-welcome Brendan O’Hare drops by to ask two questions: (1) There’s a lot to hate about Superhero comics. What do you enjoy about the new ones coming out?; and (2) For Graeme: What was your favorite interview? Discussed: DC Rebirth; Flash; Deathstroke; Unbeatable Squirrel Girl; Mother Panic; D.C. Fontana; Geoff Johns; Maggie Q; and more.
JaimeTheGreat1:37:35-1:47:55:   Long-term pal o’ the podcast Miguel Corti has quite the question for us:  Why do comics creators, fans, critics, and journalists (on the internet at least) like Archie comics so much? I’m not talking about “Afterlife with Archie” or the new series by Mark Waid, but the traditional Archie comics featuring high school hijinks that have been the staple of the comics for decades. Archie comics always struck me as a four-color version of “Leave It to Beaver” or “Father Knows Best.” They were also the only comics that church people and teachers seemed to approve of, which made me all the more suspect of them. Since my life felt like growing up in an ’80s version of “Leave It to Beaver,” Archie comics were the last comics I ever wanted to read, and, subsequently, the only comics I never saved. (I never bought them; always given them.) I never enjoyed their cookie-cutter stories, or their never-changing art style. I’d like to think this 21st-century internet love for Archie comics is some ironic hipster thing, but it feels more sincere than that (or I’m bad at perceiving ironic interest). I don’t want to denigrate anyone’s interests, but what am I missing? Are those old-school (or pre-reboot, if you will) Archie comics good by whatever definition you have for the word? After the years of accolades I’ve heard for “Afterlife with Archie” I’m sorely tempted to check it out, especially since I like zombies, but then I remember how much I dislike Archie comics and that stays my hand. When I was a kid, I wasn’t a Jack Kirby fan, but now I can really appreciate him and I rank him as one of my all-time favorite comics artists. Unfortunately, I can’t re-assess Archies comics favorably. Maybe I’m the only one, or maybe no one wants to say anything against Archie comics in public.  Discussed:  Riverdale; David Lynch; Dan DeCarlo; Bob Bolling; Jaime Hernandez; Love & Rockets; and more.
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1:47:55-:  Good ol’ Ed Corcoran asks: The subscription based all-you-can-consume model seems to be where most other media types and media companies are going (Spotify, Netflix, etc.). Comixology (or at least their Amazon bosses) seemed convinced enough that it’s the future for comics so they created Comixology Unlimited. Marvel Unlimited seems to be doing well for Marvel, but what if they went all-in on subscription and put all comics on there the day they were released? They would probably still sell floppies and trades and might sell single digital issues, too. But what do you think would be the effect on what comics they publish, what comics they emphasize, etc. if Marvel Unlimited became the primary method by which Marvel distributed its comics?  Discussed:  the Marvel BOGO sales; the direction Marvel Unlimited is taking now; and more.
HannahMan
1:54:19-2:07:54:  Query from Cass, or to put it another way:  QUESTION. Recently, I’ve been thinking a lot, as I often do, about Spider-Man. I tried reading some of the later Dan Slott stuff, post renumbering, but I can’t get on board because I can’t recognize that character as Spider-Man. But then, I started thinking, who is the character of Spider-Man really? When Cap 3: Civil War came out, everyone said “That’s it; they finally got Spider-Man right.” But Civil War’s Spider-Man was in awe of the other heroes, whereas Stan and Steve’s Spider-Man was mistrustful and even hostile toward other super-types (the first issue of his series sees Spidey calling the FF “pikers”). The Tom Holland Spider-Man reminds me more of Bendis’s goofy, generally good-natured Ultimate Peter Parker. So I guess my questions are:  (1) When people talk about “classic” teenage Spider-Man, do you think most really have Ultimate Spider-Man in mind?  (2) What would you say are the essential characteristics of Spider-Man (or any comic hero) – what needs to be there in order for it to be Spider-Man? Is it just powers? Does the character have to have significant guilt? Anything else? Discussed: the various Spider-Man actors; Spider-Man and Civil War; Spider-Man and college; cosmic Spider-Man; understatedness; Dan Slott, Hannah Blumenreich, and Matt Fraction; etc.
BenGerber
2:07:54-2:16:45: Stephen Lacey of the fabulous Fantasticast asks:  This is a question I posed to my listeners a couple of years ago, and I’m interested in your take on it. When it comes to the FF, pretty much everyone can agree that Lee/Kirby, Byrne, Simonsson, Waid/Wieringo and Hickman are the consistent peaks in the title’s history. But what are your underrated runs/stories, the gems that get lost in the gaps between these runs?  Discussed:  Steve Englehart’s run on the Fantastic Four; the Waid and ‘Ringo run; the Tom DeFalco and Ryan run; the Chris Claremont and Salvador LaRocca run; the run of Dwayne McDuffie and many artists including Paul Pelletier; Steve Gerber; and more.
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2:16:45-end: Closing comments! Next week will be a Q&A session so please feel free to tweet or email us your questions. Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
Next week:  Skip week! And then the week after that: Wait, What? Ep. 209!  And that ep may be an all-review podcast? Catch up with us catching up two weeks from now!
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dcmoment4b

0:00-4:06: Greetings!  How’s the weather, you ask?  Well, Graeme McMillan and the rest of Portland, Oregon are boiling alive!  Jeff’s fine, thanks for asking, but since he knows fine doesn’t carry well—podcasts being what Marshall McLuhan would call a “hot” medium—he moves us to the towering mountain of remaining listeners’ questions!  Will he and Graeme get through all of the questions by the end of the podcast?  Place your bets now!

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4:06-16:24:  Kevin Moreau asks:  I have two questions that I hope you can find the time to answer as you’re patrolling Hub City to keep us all safe from crime. 1.  It’s well known that Graeme is not a fan of the Marvel Cinematic Universe movies. Is there a comic-book movie (MCU, DC or otherwise) made since the dawn of the MCU (so since 2008) that you love or at least like, and what does it do right that the MCU movies largely don’t? (Primarily for Graeme, but Jeff please feel free to chime in as well.)

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16:24-27:51: Kevin also wants to know:  2. Largely for Jeff, but if Graeme has any input, please feel free: I find manga largely impenetrable, but I want to give it a fair shake. What is it that appeals to you about the form, and what would you recommend for a newbie who finds it hard to get past the cartoon-y expressions and overall exaggerated nature of what little I’ve glimpsed?
27:51-35:51:  Charles Forsman inquires:   1. Spawn/Batman or Batman/Spawn?  2. What’s the deal with all these comic books coming out every week?

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35:51-47:20: Tom Bondurant queries: DC/Warners are putting out an animated version of The Judas Contract, in which a spunky 16-year-old superheroine is (spoilers!) revealed to be a stone-cold sociopath who hates the Teen Titans, is probably sleeping with the much-older Deathstroke the Terminator, and dies after being literally buried by her own rage-spawned freakout. I still have a lot of affection for TJC, especially in the context of New Teen Titans generally, but a) does it seem that problematic to you and b) what changes, if any, do you expect the adaptation to make?
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47:20-55:50:  Matt Miller wonders:  Already asked one of my questions on Twitter, so here’s my 2nd: You two are starting a Crossgen-esque company dealing in popular (but non-superhero) genres. What two writer/artist teams (or cartoonists) would you recruit and what genre do you put them on?
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55:50-1:02:40:   Evan Harrison Cass interrogates:  Jeff, what is your current ethical stand regarding the purchase of Marvel product? I’ve lost track.  Also:  When Tim Seeley and Tom King were co-writing their critically acclaimed Grayson run, most critics – including you two – assumed Seeley’s contribution wasn’t as ‘key’ as King’s. I know for a fact that Tim felt frustrated that he wasn’t given fair credit for bits that were his that were critically celebrated. What shapes the impression that a Seeley type writer is B-list while a King type is A-list?
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1:02:40-1:11:46:  Ray Mescallado queries:   You get to greenlight a Legion of Super-Heroes movie. What era of Legion would you use (Grell 70s, Levitz/Giffen, Five Years After, reboot, threeboot, etc) and why? Would you connect it to the cinematic DCU and how? Which Legionnaires would you focus on, and who do you imagine playing their roles?
1:11:46-1:22:18:   Levi Tompkins ponders: Do you think the lack of lgbtqi characters in Marvel books now is a result of them worried about how to deal with presenting those characters in other mediums like cartoons and movies? What do you think of valiant’s plans to create a movie-verse, or valiant’s attempts at extending their brand into other media formats in general?
Celestials1:22:18-1:30:58:  Garrett asks:  My question(s) are: Could a Jack Kirby (creative output and brand new ideas) exist in today’s comic’s industry? Are there any writers, artists, or writer/artists currently working today that come close?
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1:30:58-1:41:52:   Adam Wolfe inquires: 1st question: I read the first Flintstones by Mark Russell and I have the same feeling about it that I usually do after reading a Thomas Pynchon book: amused, a little perplexed, not sure if I get everything the author put in, but ultimately this feeling that I read something intellectual that I should feel smart for having read. Ultimately I think I enjoyed it but I was wondering, what are your thoughts on this series and is Russell’s Prez going to see a second volume? 2nd question: Do you think that Grant Morrison steal his idea of transporting to different universe through a musical instrument in Multiversity from the Heman Masters of the Universe movie from the 80s? There’s a dwarf like creature in that movie that uses a type of flute if I recall to travel back and forth from our realm to that Eternia.
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1:41:52-1:52:48:   Roger Winston (Flasshe) cross-examines: 1) As a big time Legion of Super-Heroes fanboy from way back (Cockrum, Grell, Levitz/Giffen, beyond) I am incensed that DC doesn’t know what to do with the LSH these days. Why is that? Is the concept just not something that connects with modern audiences? Or have they just not found the correct approach or creators to make it work nowadays? What do you think DC should do with the property? (I’m counting all this as one question, though you are free to handle it as you see fit.)  (2) What is your preferred comic reading environment? For me, it’s iPad/recliner/beer/music on the headphones, usually after work and before dinner. If I try to read in bed at night, it’s snooze-land and no retention.
1:52:48-1:53:04:  Yonatan offers: when DC finally brings the Legion back, what creative team? 
1:53:04-1:56:18:  Dave Clarke requests: compare and contrast Judge Dredd big summer events with those of the big 2?
1:56:18-1:57:44:  Steven E. Chambers plays good cop:  easy one: have you two been keeping up with Rucka and Lark’s Lazarus?
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1:57:44-2:01:10:  Scott Rowland is bad cop:  I’m 100 episodes behind, so you may have covered, but any thoughts on Steve Ditko’s independent work over the years? And thoughts on Ditjko’s string of modest, but successful Kickstarters to publish new material? 
2:01:10-2:06:08: Art Lyon is dramatic reading cop:  What long-run title would u analyze a la your Baxter Building eps if u weren’t doing FF or – gasp! – *after* u finish FF?
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2:06:08-end: Closing comments! Next week will be a Q&A session so please feel free to tweet or email us your questions. Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
Next week:  Baxter Building Episode #20!  Fantastic Four #171-184!  Join us!
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