His name is Rio! And he dances on the sand! My name is Jeff! I was not a fan of the meme!

Together, we are here to finish what we started, which is answering the questions of the beautiful benighted souls on Patreon!

First up is Tim Rifenburg:

Hey Guys,

Thanks for doing the question thing again.

  • Question 1: Is there any character / company crossover you would like to see and who would write and draw it?
  • Question 2: Are you ever sorry you started the FF read through? I enjoy listening to your thoughts but you sometimes seem like you are struggling through the books.

Then there’s Ethan Johnson:

There are two variations, I don’t care which one you answer.

  • Marvel buys DC and moves existing Marvel creative teams intact to take over DC properties.  Pair creative teams with books.  I’ll allow recent iconic teams, because if you don’t put Hickman & Opeña on LSH, you’re crazypants.
  • Same scenario, but no DC.  Just shuffle existing intactcreative teams onto other properties, like when Byrne & Mantlo swapped Alpha Flight & Hulk!

(Psst! Because Jeff was so proud of his list, he insisted on including it here:)

  • Okay. Hickman and Opena on LSH. Sure. But honestly I think a better take would be Gillen & McKelvie?

And, then, uh, in no particular order, other than how I think of ‘em:

  • Al Ewing and Barry Kitson on JLA;
  • Al Ewing and Elsa Charretier on The Flash;
  • Al Ewing and John Cassaday on Forever People;
  • Dan Slott turned Spider-Man into Batman; maybe if he wrote Batman, he’d turn him into Spider-Man? No, just kidding: I’d give Dan Slott and Sanford Greene Angel & The Ape. (Maybe Slott could have Batman, Inc?)
  • Chip Zdarsky and Leonardo Romero doing Ambush Bug: Year Done;
    Ta-Nehisi Coates and Brian Steelfreeze doing Superman (I should probably say Wonder Woman and then they can just lightly rewrite their issues?);
  • And I guess Mark Waid and Chris Samnee on Action?
  • Jason Aaron and Goran Parlov doing Jonah Hex as one title, Batman as the other (I guess I was kidding about Dan Slott?)
  • Bendis doing Green Lantern (with Mike Deodato?), Aquaman (or maybe that’s Mike Deodato?), Green Arrow & Black Canary (with Dave Marquez), and Teen Titans (with Mark Bagley)
  • Ryan North and Erica Henderson get the coveted The Brave & The Bold treatment
  • Greg Pak and Chris Samnee/Stuart Immonen could take Wonder Woman?
  • Felipe Smith writing and drawing Vibe;
  • G. Willow Wilson and Tradd Moore on Teen Titans;
  • Jeff Lemire and Greg Smallwood on The Rose & The Thorn;
  • Ryan North (again!) and Gurihuru on Lois Lane;
  • Becky Cloonan and Olivier Coipel on Nightwing;
  • David Walker and Robbi Rodriguez on Batman and the Outsiders;
  • Tom Taylor and Phil Noto on Catwoman;
  • Nick Spencer and Jesus Saiz on Freedom Fighters;
  • Chris Hastings and Daniel Acuna on Metal Men;
  • Mark Waid And Humberto Ramos on Impulse;
  • Roxane Gay and Jackson “Butch” Guice on Suicide Squad;
  • Jason Aaron and Alex Maleev on John Constantine;
  • Matthew Rosenberg and Joe Quinones on Harley Quinn;
  • Gerry Dugan and Jim Cheung on Secret Six;
  • Jeff Lemire and Mike DelMundo on The Question;
  • Jason Aaron and Chris Bachalo on Thriller.

Thomas Williams is curious:

The past two years during either SDCC  or NYCC, Valiant do a huge sale and I end up buying the entire past year of back issues and binging them. I always find that the comics are just great with solid story, characters and art. However once this sale is over I am back to forgetting these books in my weekly purchases. What can Valiant do to get people like me to remember them throughout the year?

Also Graeme, of VanLente’s Archer and Armstrong and Timewalker which do you prefer?

Evan Cass wants to know:

Are there artists that you used to adore aesthetically that you can’t stand anymore due to those same aesthetics? Two of my favorite artists as a teen were Art Adams & Ron Lim; I loved their work. Now as a 40something their work literally upsets my stomach; it repulses me. I’m curious if you’ve experienced similar with any former favorites, and why you think that might be. Thanks for the show.

Here comes good ol’ Badger Mushroom:

You asked your Patreon patrons (of which I am one) for questions to waffle about. So here’s one: what do you two think of the recent purchase of The Beat by Lion Forge? Any implications for comics journalism?

(I should note that I have great respect for Heidi MacDonald and the staff of The Beat. I just want to hear the experts weigh in. 😉 )

Thanks to you both for an entertaining and informative podcast, and thanks to Empress Audrey, Queen of the Galaxy, for bestowing her mercy on us all.

Brendan O’Hare has all the best questions!

For Jeff: Who did you wife/husband up on Stardew Valley?

For Graeme and Jeff: I know Jeff recently parted ways with most of his comic book collection, but are either of you still going through back issue bins to fill in a run? If so, which ones?

And finally, here’s our pal Roger Winston:

I totally missed submitting a question for the Q&A podcast, but I see you are extending it to a second episode. I know you are already full of questions, but here’s mine just in case you need another:

Background:

I sold off the bulk of my collection (~22k books) several years ago and stopped reading. But a few years after that, I discovered digital and got back in (mostly thanks to my iPad and Locke & Key). Now I am totally addicted to Comixology (and to a lesser extent, Marvel Unlimited) and spend way too much money there, buying a lot of books, most of which I will probably never read. I think I felt a need to replace my print collection with digital. At least it takes up less space.

Question 1:

Do you ever think there will come a time when we will lose the rights to the comics we have bought digitally? I don’t think I ever read the Comixology terms of condition, out of fear. But I worry about them going out of business or changing their model or dropping publishers or whatever. Although them being owned by Amazon does make me feel more secure. I have downloaded DRM-free whatever I can for backups, but that is limited to some indie publishers (mostly Image in my case) -Marvel & DC don’t allow that. So was I stupid to have sank so much money (most of it during sales, luckily) into something that could potentially go away before I have a chance to enjoy it? Oh, the hazards of being an obsessive collector, even when there’s no physical component.

Question 2:

Do you think DC will ever come out with a DC Unlimited type service? The bulk of the digital comics I have bought are DC. On one hand, I would love this, because then I could stop buying back issues. (I’ve bought very few Marvels since subscribing to MU.) OTOH, I would hate this because it means I spent a lot on things I could then read a lot cheaper. I have heard some suggestions that DC’s new TV streaming service might include a comics unlimited type service as well, which does make a certain amount of sense.

And that’s that!  Again, our thanks to all of you for tuning in, and a super big thanks for those of you on Patreon for you generosity!

Join us next week for a Baxter Building!  Issues #314-324 of The Fantastic Four!

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00:00-55:05: Greetings! But then, in under thirty seconds, Jeff drags us into the state of Marvel Comics because he knows Graeme has some thoughts on the Marvel Legacy “comic book industry changing” announcement of Friday, which involved 51 comics announced across six different websites, the social media accounts of their PR people, the occasional PR mailing and via the game-changing, high-density-information tool of …animatedGIFs, you guys! Yes, what better way to communicate plans about your much-needed initiative than the very tool most of us on Twitter use to make our “I can’t even” tweets seem interesting?    It’s a very big conversation that, if nothing else, feels like we’re a little more worried about Marvel’s future than Marvel is?  Anyway, be prepared because, as Graeme puts it, “I apologize, because I’m about to complain *a lot*!” Also discussed:  the 51 titles announced and the one missing title; our dim memories of Spirits of Vengeance; the “innocence” of Marvel Two-In-One and Marvel Team-Up; homework; whether or not anyone is really calling for Marvel management to leave; a related digression about the perception of digital comics, digital trades, and Marvel’s recent digital fire sale on Amazon; bewilderment; terror; suffering; etc.
 
55:05-1:00:54:  But we got you through all that so we could get to this: comic books!  Sweet, sweet comic books!  First up: Graeme is very enthusiastic about The Complete Sabrina the Teenage Witch: 1962-1971 (Sabrina’s Spellbook), a book he describes in a way that reminds Old Man Jeff of a scene from The Big Chill that either isn’t on Youtube (because Jeff’s too old) or Jeff can’t find on Youtube (because Jeff’s too old).  Too bad, Jeff!   Graeme also likes the back-up story by Tony Bedard & Ben Caldwell back-up for the Wonder Woman/Tasmanian Devil one-shot. (The joke from the Bugs Bunny/LOSH joke also sounds pretty great.)
 
1:00:54-1:04:57: Speaking of DC’s “comic” books, Jeff wants to talk about the final issue of The Flintstones by Mark Russell and Steve Pugh.  We’re going to miss this book.
1:04:57-1:22:55: And then….Jeff has more stuff he needs to get off his chest about Tom King’s Batman, Yes, those of you paying attention will not be surprised to see our podcast’s ongoing subplot of 2017 arise yet again!  And yet this probably will be the very last take on it for some time (God willing!) as Jeff talks about reading the first two trades, “I Am Gotham” and “I Am Suicide,” looking at “The Brave and the Mold” issue, the Bat Hound storyline, and having a rough outline of an epiphany while reading those in light of his recent reading of Bob Haney’s Brave And The Bold issues.
1:22:55-1:43:41: And the flipside of this, but also related in Jeff’s mind is his very recent read of Doom Patrol: Brick by Brick Vol.1 by Gerard Way and Nick Derington.  On the one hand, Jeff feels like Way is striking a great balance between being respectful of the characters and using them as a way to talk about and embody other experiences…but Jeff is also a little vexed by the way some of the more traditionally important tasks of fiction writing are handled. By contrast, Graeme has *a lot* of love for the book, and confesses to being unable to be objective about it at all.  Leading to some metacritical talk about criticism, subjectivity, and objectivity.
1:43:41-2:06:10: And to drag in another layer to this, Jeff read Manga In Theory and Practice by Hirohiko Araki, creator of the *amazing* JoJo’s Bizarre Adventure, and wants to not only talk about some of the practices Araki discusses in that book, but also the conflict and challenge of reading in translation the works of a cartoonist from a very different culture.
2:06:10-2:11:21: And! Jeff has read volume 1 of Golden Kamuy by Satoru Noda and it was rad.  (Even with  the fucked up thing that keeps happening to Viz’s digital manga recently.)  Is it possibly the best bear-punching comic ever?  A controversial statement, we know….but Jeff loves this book.
2:11:21-2:22:49: And and!  Jeff also really loved the book My Lesbian Experience with Loneliness by Nagata Kabi. Also discussed: Jeff’s new iPad, Comixology, GoodReader, and The Leopard of Lime Street (a.k.a. an early British attempt to do Spider-Man)….which leads us into some preliminary comments about both the Clone Conspiracy trade and Peter Parker: The Spectacular Spider-Man #1 by Chip Zdarsky, Adam Kubert, and (holy cow) Goran Parlov.
2:22:49-end:  Closing comments, but first a big shout-out to the fine folk at 2000 A.D. for putting a pull-quote from Graeme from this very podcast on Judge Anderson: Year One! Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
Next week:  Wait, What?, Episode 228!!
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0:00-2:02: Greetings! Jeff’s asthma is acting up!  Graeme has either forgotten or eschewed the word “example!” It’s another episode of your favorite comic podcast where the words “favorite” and “comic” are both suspect, and only “podcast” can be taken for granted. (Unless “podcast” implies some level of technical proficiency, in which case it’s *all* up for grabs!)
2:02-11:05: It seems to us like it’s been a million years since we’ve done one of these?  (It’s only been two weeks if you’re keeping track?)  Is that because Graeme has read so many Wonder Woman comics in the last week as a lead-up to the release of the new movie? It’s not clear, but it is a great excuse to talk about Wonder Woman comics, as Jeff asks Graeme to summarize his findings from reading that much Amazonian Princess in that short a time.  Much discussion of Greg Rucka’s recent revision of the Wonder Woman origin ensues.

11:05-18:58: And then since Graeme has also seen Wonder Woman, the movie (but Jeff has not), there is a spoiler-free discussion wherein Graeme talks about the movie and what he thought.
18:58-39:57: And here is where Jeff’s ulterior motive makes itself known—what is the worst superhero movie? Can we agree on one?  And if not, can we at least talk about how terrible Green Lantern is?  Because talking about Green Lantern is like talking about that time you got horribly stomach-sick at your cousin’s wedding: painful and embarrassing at the time (almost to the point of genuine humiliation), but kind of hilarious to reminisce about. (hashtag I’m sorry Cousin Burt.)
39:57-47:42: Awkward segue here in that if you start on this segment you catch Graeme at the tail end of his thought about those superhero movies that were clearly compromised by reshoots, and then goes on to talk about the curious situation of the Justice League movie, now that Zach and Deborah Snyder have stepped away from the film for very good personal reasons.  Is Justice League so messy that it will be in a way, critic proof? Will any good thing coming out of the movie now being credited to Joss Whedon?
47:42-1:00:16: And for a very different kind of DC superhero movie, Jeff recommends you check out Batman & Bill, a documentary available on Hulu about the crusade to get Bill Finger the recognition he deserves.  Even if you know the contours of the story, it’s a documentary that has some very satisfying twists and turns in it.  It’s well worth a watch, sez Jeff.  But how exactly does that lead into us discussing the comic book career of Gene Simmons?  Well, you’ll have to listen to find out, but we apologize nevertheless.  (Also, as someone who has edited over two hundred of these damned things, I don’t think we’ve ever done what we do starting just scant milliseconds before the 54:47 mark!)
1:00:16-1:13:19: “Graeme McMillan, I have to say this is a very odd installment of our podcast,” announces Jeff, who is not just whistling Dixie (which is an expression us olds use and I am only now thinking I should google and ensure the saying’s origins weren’t something egregiously racist).  (Still not sure!)
Anyway, that’s beside the point which I guess is: what the fuck is Marvel doing with their sale on digital trade paperbacks on Amazon?  (Apologies if that link isn’t active—it seems my Amazon links are a little sketchy when it comes to general sections, as opposed to specific products.) Discussed:  Seriously, what the fuck?
1:13:19-1:19:09:  “When you said we haven’t even talked about Marvel,” Graeme more or less replies fifteen minutes later, “I thought you were going to talk about the revival of Runaways.”  “Is that something you’re interested in, Graeme?” Jeff asks diplomatically.  Discussed: the revival of Runaways.
1:19:09-1:40:24: Jeff wants to talk about the comics he has read. First up: Deadpool: Bad Blood by Rob Liefeld, Chris Sims, Chad Bowers, and Romulo Fajaroo, Jr. with a very special musical interlude!  Also discussed: the first three issues of the current X-O Manowar run by Matt Kindt, Tomás Giorello, and Diego Rodriguez; the most recent few issues of Deathstroke by Priest, Hama, Pagulayan, Bennett, and others. Caution: includes SPOILERS for the wrap-up of the Lazarus Contract (in Teen Titans Annual #1, I want to say?).
1:40:24-1:44:29: Another book Jeff (re-) read recently and would like blab about for a spell:  Punisher: Born by Garth Ennis, Darick Robertson, Tom Palmer, and Paul Mounts.  Frank Castle’s final days in Vietnam?! What’s not to like about that?
1:44:29-1:48:59: Also read!  Spencer & Locke #1 by David Pepose, Jorge Santiago, Jr., and Jasen Smith! It’s Calvin & Hobbes meets Sin City!
1:48:59-1:52:10: The most recent issues of Moon Knight (#11-14) by Jeff Lemire, Greg Smallwood, and Jordie Bellaire!
1:52:10-1:55:55: 4 Kids Walk Into a Bank #4 by Matthew Rosenberg, Tyler Boss, and Clare Dezutti! Jeff liked it, but you kind of can’t tell through all the complaining!
1:55:55-2:00:28: Et cetera!  Including this.

2:00:28-2:05:39: Graeme does a terrible thing! A cross-examination about what Graeme is like in bars! And then…
2:05:39-end:  Closing comment!  Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
In two weeks:  Baxter Building Ep. 30!  Covering Fantastic Four issues #271-277 by John Byrne.  Join us in 14!
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http://theworkingdraft.com/media/podcasts2/WaitWhat220.mp3 First things first, make sure you don’t miss out Matt talking about that Logan movie right below this very entry, y’hear? Good stuff, right?  And now, some show notes: 0:00-3:47: Greetings! This week’s opening…

http://theworkingdraft.com/media/podcasts2/WaitWhat216.mp3 0:00-34:58: Greetings, and wishes for a happy new year!  Believe it or not, we are super-hasty in this part and in literally less than a minute we are discussing….Rogue One: A Star Wars Story!…

Wolverbird

0:00-3:46: We get right into it, no kidding!  There’s maybe twenty seconds of baffled recognition from your hosts, and then it’s right into answering questions.  BUT!  Before we get into the final round of questions from our Patreon supporters, Jeff has a few questions for Graeme.  First up:  how does Graeme feel about the CW shows (including shows like Flash and Arrow) leaving Hulu?  Discussed:  Seth Meyers monologues; late night TV; and just an eensy bit more before moving into a more substantive topic…

Flash Rebirth One
3:46-17:49:  Earlier in the week, Jude Terror over at The Outhousers wrote a condemnatory piece on the Direct Market that stirred up a lot of reactions and support online.  What did Graeme think about it?  What did Jeff think about it?  And what *is* wrong with the Direct Market? Discussed: Nighthawk; Omega Men; the direct market and cableization of TV; and more.  So much more, in fact, that Graeme jumps the queue on our listeners’ questions to pivot to one related to the topic at hand, and so…
17:49-51:56:  Comic Cruncher asks:  floppies vs GNs/TBPs vs digital – how do you see the market developing and what are the implications for the future?  Discussed: the sales numbers for DC Rebirth; the very strange side-effects of double-shipping; some finger-pointing from Jeff about the plateau/depression of digital comics; Graeme believes a Comixology comic was yanked from his collection (has anyone else had this happen?); Marvel’s reaction to freak hits; Angry Birds vs. DC Super Hero Girls; and more.
Dr Fate TPB1
51:56-55:29: Maxy Bee asks:  how startled are you that Levitz’s Doctor Fate is the last remaining DCYou title, and still kicking at that?  Discussed: the DCYou book that outlived Doctor Fate; Jeff decided to turn cancelled DCYou books into codenames; and more.
SuicideSquadmov
55:29-1:07:23:  Jeffrey Brown brings down the interrogation:  what are your thoughts about the Recent Suicide Squad movie compared to Ostrander’s run on the comics post crisis? And The Films Depiction of Harley Quinn, The Joker, Captain Boomerang & the movie’s plot + Enchantress? and lastly what are your thoughts DC Young Animal titles : Doom Patrol, Shade, Cave Carson? Discussed:  all of the above, plus a bit more.
ChaykinSketchbook1:07:23-1:22:23:  Two Qs from Paul R Jaissle:  (1) I recently reread Howard Chaykin’s American Flagg! and was struck by how innovate and influential it really was (there’s definitely a lot more Chaykin in Tom Scioli’s Transformers vs GI Joe than I noticed at first). Why don’t you think it’s more regularly recognized or cited along with DKR and Watchmen as a seminal ’80s comic? (2) Given the success of DCU properties on TV (including Vertigo stuff like iZombie and Preacher) as well as the current popularity of “weird” shows like Stranger Things, how would you two cast and pitch a Doom Patrol TV series? Discussed:  the challenges to establishing Chaykin’s legacy; our dream DC TV shows; Avatar; and more.
Tecvp
1:22:23-1:37:35:  And the ever-welcome Brendan O’Hare drops by to ask two questions: (1) There’s a lot to hate about Superhero comics. What do you enjoy about the new ones coming out?; and (2) For Graeme: What was your favorite interview? Discussed: DC Rebirth; Flash; Deathstroke; Unbeatable Squirrel Girl; Mother Panic; D.C. Fontana; Geoff Johns; Maggie Q; and more.
JaimeTheGreat1:37:35-1:47:55:   Long-term pal o’ the podcast Miguel Corti has quite the question for us:  Why do comics creators, fans, critics, and journalists (on the internet at least) like Archie comics so much? I’m not talking about “Afterlife with Archie” or the new series by Mark Waid, but the traditional Archie comics featuring high school hijinks that have been the staple of the comics for decades. Archie comics always struck me as a four-color version of “Leave It to Beaver” or “Father Knows Best.” They were also the only comics that church people and teachers seemed to approve of, which made me all the more suspect of them. Since my life felt like growing up in an ’80s version of “Leave It to Beaver,” Archie comics were the last comics I ever wanted to read, and, subsequently, the only comics I never saved. (I never bought them; always given them.) I never enjoyed their cookie-cutter stories, or their never-changing art style. I’d like to think this 21st-century internet love for Archie comics is some ironic hipster thing, but it feels more sincere than that (or I’m bad at perceiving ironic interest). I don’t want to denigrate anyone’s interests, but what am I missing? Are those old-school (or pre-reboot, if you will) Archie comics good by whatever definition you have for the word? After the years of accolades I’ve heard for “Afterlife with Archie” I’m sorely tempted to check it out, especially since I like zombies, but then I remember how much I dislike Archie comics and that stays my hand. When I was a kid, I wasn’t a Jack Kirby fan, but now I can really appreciate him and I rank him as one of my all-time favorite comics artists. Unfortunately, I can’t re-assess Archies comics favorably. Maybe I’m the only one, or maybe no one wants to say anything against Archie comics in public.  Discussed:  Riverdale; David Lynch; Dan DeCarlo; Bob Bolling; Jaime Hernandez; Love & Rockets; and more.
6fingerHellcat
1:47:55-:  Good ol’ Ed Corcoran asks: The subscription based all-you-can-consume model seems to be where most other media types and media companies are going (Spotify, Netflix, etc.). Comixology (or at least their Amazon bosses) seemed convinced enough that it’s the future for comics so they created Comixology Unlimited. Marvel Unlimited seems to be doing well for Marvel, but what if they went all-in on subscription and put all comics on there the day they were released? They would probably still sell floppies and trades and might sell single digital issues, too. But what do you think would be the effect on what comics they publish, what comics they emphasize, etc. if Marvel Unlimited became the primary method by which Marvel distributed its comics?  Discussed:  the Marvel BOGO sales; the direction Marvel Unlimited is taking now; and more.
HannahMan
1:54:19-2:07:54:  Query from Cass, or to put it another way:  QUESTION. Recently, I’ve been thinking a lot, as I often do, about Spider-Man. I tried reading some of the later Dan Slott stuff, post renumbering, but I can’t get on board because I can’t recognize that character as Spider-Man. But then, I started thinking, who is the character of Spider-Man really? When Cap 3: Civil War came out, everyone said “That’s it; they finally got Spider-Man right.” But Civil War’s Spider-Man was in awe of the other heroes, whereas Stan and Steve’s Spider-Man was mistrustful and even hostile toward other super-types (the first issue of his series sees Spidey calling the FF “pikers”). The Tom Holland Spider-Man reminds me more of Bendis’s goofy, generally good-natured Ultimate Peter Parker. So I guess my questions are:  (1) When people talk about “classic” teenage Spider-Man, do you think most really have Ultimate Spider-Man in mind?  (2) What would you say are the essential characteristics of Spider-Man (or any comic hero) – what needs to be there in order for it to be Spider-Man? Is it just powers? Does the character have to have significant guilt? Anything else? Discussed: the various Spider-Man actors; Spider-Man and Civil War; Spider-Man and college; cosmic Spider-Man; understatedness; Dan Slott, Hannah Blumenreich, and Matt Fraction; etc.
BenGerber
2:07:54-2:16:45: Stephen Lacey of the fabulous Fantasticast asks:  This is a question I posed to my listeners a couple of years ago, and I’m interested in your take on it. When it comes to the FF, pretty much everyone can agree that Lee/Kirby, Byrne, Simonsson, Waid/Wieringo and Hickman are the consistent peaks in the title’s history. But what are your underrated runs/stories, the gems that get lost in the gaps between these runs?  Discussed:  Steve Englehart’s run on the Fantastic Four; the Waid and ‘Ringo run; the Tom DeFalco and Ryan run; the Chris Claremont and Salvador LaRocca run; the run of Dwayne McDuffie and many artists including Paul Pelletier; Steve Gerber; and more.
ProxyEmpress
2:16:45-end: Closing comments! Next week will be a Q&A session so please feel free to tweet or email us your questions. Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
Next week:  Skip week! And then the week after that: Wait, What? Ep. 209!  And that ep may be an all-review podcast? Catch up with us catching up two weeks from now!
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http://theworkingdraft.com/media/podcasts/WaitWhat203.mp3 0:00-2:28: Greetings from the Sleepy Duo, Graeme and Jeff!  One of is justified in their tiredness, one of them is not, but they still can manage to work up enough steam to discuss… 2:28-16:15:…

Panther1

0:00-10:45: Greetings! And a slow burn of a greeting it is, too, what with Graeme actively (actively!) asking questions about Jeff’s storage space moving plans. And then a discussion of media mail?! Are you kidding me??  Just how lucky are you, you guys? It’s almost impossible to gauge.

10:45-22:04: Comics!  We realize right around here that we can talk about comics: y’know, just dive right and start talking about comics we’ve been reading on our over the last three-plus weeks that.  So of course we spend some time talking about public reception to the upcoming Captain America: Civil War movie. Also discussed: anger and the Internet, surgery, scheduling, commercials and Marvel Comics, and more.
22:04-37:38: Speaking of which, we discuss the first issue of Black Panther by Ta-Nehisi Coates, Brian Steelfreeze, and Laura Martin: Discussed: price points; Hickman’s Avengers; Don McGregor’s Panther’s Rage; the Marvel BOGO sale at Comixology and the Marvel Half-Price Off Sale at Amazon; Black Panther as Batman; Jack Kirby, Grant Morrison, and Geoff Johns.
37:38-52:58: in fact, Graeme has read *a lot* of Geoff Johns material recently so he has some opinions on this very topic. Discussed: JSA, Hawkman, Brightest Day, Flash: Rebirth, and Green Lantern: Rebirth; Captain Britain; Geoff Johns’ Flash and TV’s Flash; and more.
52:58-1:19:17: “Are you into Flash?” Graeme asks. “Like, as a character?”  This is a potentially great topic for conversation—who are our favorite heroes, and why?—but it catches Jeff surprisingly off-guard.  Discussed:  DC heroes and Marvel heroes; every Wildcat story ever; the template behind Morrison’s JLA and how it’s being used by Waid right now in All-New, All-Different Avengers; Nick Spencer and Daniel Acuna’s Captain America; Jeff’s Captain America theory; Avengers Standoff: Welcome to Pleasant Hill; DC’s Legends; where the name “The Phantom Stranger” came from; and more.
Elektra2
1:19:17-1:34:37: A thing Jeff re-read very recently and greatly enjoyed but not in the ways he expected: Elektra Assassin by Frank Miller and Bill Sienkiewicz. Also discussed:  David Mazzuchelli and Daredevil: Born Again and Batman: Year One; Dave McKean; Barron Storey; and more.
Wheaton11:34:37-1:40:06: Other things Jeff re-read and enjoyed: two collections of Brubaker’s and Phillips’ (and Staples’ and Breitweiser’s) ’ Criminal:  Bad Night and Last of the Innocent, while also checking out the recent 10th Anniversary Special Edition Magazine.  Discussed: Archie, Encyclopedia Brown; Britt Black; Wil Wheaton; Matt Fraction; and more.
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1:40:06-1:52:39: Also on the “Jeff read and enjoyed this” list: 4 Kids Walk Into a Bank by Tyler Boss and Matthew Rosenberg; Unbeatable Squirrel Girl V2 #7 by Ryan North, Erica Henderson and Ricco Renzi; The Vision #6 by Tom King, Gabriel Hernandez Walta and Jordie Bellaire (with a possible spoiler for Civil War II); the problem with Ms. Marvel; and more.
1:52:39-2:09:30: Jeff also read via Marvel Unlimited the first issue of Amazing Spider-Man (2015) by Dan Slott and Giuseppe Camuncoli and he had, let us just say, “all the feels” about it. Discussed: Spidey’s love interests; how to have your spider-cake and eat it too; grown-ups and Richie Rich; #NotMyBlackPanther; and more.
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2:09:30-2:14:46: Because we’ve run long, Graeme can only briefly extol the virtues of The Panther by Brecht Evens (now out in English) and Hot Dog Taste Test by Lisa Hanawalt, both from Drawn & Quarterly); and Jeff manages to work in how much he enjoyed the first issue of Sun Bakery by Corey “Rey” Lewis.
2:14:46-end: Closing Comments!  Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr (where Graeme posted a really fantastic little Spider-Man story by Hannah Blumenreich.  If you haven’t seen it already, you should check it out)! And our special thanks to the kind crew at American Ninth Art Studios for their continuing support of this podcast, as well as our continuing special thanks to the Empress Audrey, Queen of the Galaxy…and to all 120 of our supporters on Patreon who make all this possible.
NEXT WEEK:  For some of the reasons discussed above, but also because of the schedule (we think?), there’s a skip week! Catch us in two for more audio gaga!
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GreenThisIsFine

KC Green, who is awesome, is awesome

0:00-8:53: Greetings!  We’ll save you the early problems with Skype and just take you to where things finally straightened out, and Jeff and Graeme were able to just start talking about, y’know, the Internet and happiness and babies slipping on ice and OUTRAGE! and stuff.

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8:53-32:10: And then we get a chance to get into it: Neil Gaiman’s new issues of Miracleman have been pulled from Marvel’s solicits!  Why? Who? What? Where? And is the opening Jeff needs to get his take on the Miracleman mythos published?  We answer nearly none of those questions! But we do discuss how Jeff would do in a debate against Donald Trump, so…
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32:10-48:19: Graeme has been reading the Secret Wars crossover isssues now that they’ve hit Marvel Unlimited and…he’s pretty uninterested!  Is that just because Graeme is more of a DC man, or does Jeff, who is more of a Marvel man, also have the same problem? A lot of talk about the pros and cons of Marvel Unlimited, Jeff and the ‘90s, SPOILERS for the Secret Wars: Civil War miniseries, the emotional investment necessity for alternate universe stories, and more.
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48:19-57:27: A mean, off-handed comment from Jeff has Graeme talking about a book he’s been catching up on and enjoying:  Harley Quinn by Jimmy Palmiotti, Amanda Conner, and Chad Hardin. Graeme talks a little bit about why the book works for him, why he wishes more books could have this sense of fun, how Harley should or shouldn’t be linked to DCYou, and more.
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57:27-1:02:44: “Wait, how did we end up talking about Frank Tieri?” Graeme asks. Jeff’s reply:  because he read and enjoyed This One Summer by Jillian Tamaki and Mariko Tamaki, published by FirstSecond Books.  NOTE: due to Jeff being a dumb-ass, he refers to Mariko Tamaki as the illustrator and Jillian Tamaki as the writer, when it is actually the other way around.  The dumb-ass regrets the error.
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1:02:44-1:18:30:  The other book Jeff read and wanted to discuss is Patience by Daniel Clowes.  Jeff finished reading the book a half-hour before the recording of the podcast and he has a plethora of feelings to work out about this book, about Clowes’ work, and about the things Clowes tries and accomplishes in Patience. Also discussed: time travel, the thing that Graeme loves; Seconds by Bryan Lee O’Malley; the butterfly and the blood spatter; and more.
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1:18:30-1:30:24:  Graeme received a review copy of Mary Wept Over the Feet of Jesus:  Prostitution and Religious Obedience in the Bible by Chester Brown but didn’t get a chance to read it before this was recorded, so we spend a certain amount of time talking about Brown’s previous book on sex work, Paying For It, Brown’s previous comics work covering the New Testament, and more.
1:30:24-1:40:08: Similarly, Jeff has read I Hate The Internet by friend of the podcast Jarett Kobek, a book that mentions, among many, many other things, both this podcast and these podcasters.  So we are going to discuss it in two weeks when Graeme has read it.  Why not pick up a copy and also read it so you can be in on the discussion when we do?  If you were a fan of, say, Kurt Vonnegut, you might quite like it.
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1:40:08-1:56:02:  Graeme has read the first issue of Dept. H (or Depth) by Matt Kindt coming out from Dark Horse (with colors from Sharlene Kindt) and quite liked it. We discuss Matt Kindt, Jeff Lemire, and Ray Fawkes and Jeff’s sense of regret for not looking more deeply at the work of these comics creators who are doing what should be Jeff’s jam but totally enjoying the arguably easier work of Ben Marra’s Terror Assaulter: O.M.W.O.T. 
1:56:02-end:  Closing comments…or are they? Because Jeff has a story about playing superheroes with his niece that he thinks is worth your time. And then:  look for us on  Stitcher!Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr!
Our special thanks to the kind crew at American Ninth Art Studios for their continuing support of this podcast, as well as our continuing special thanks to the Empress Audrey, Queen of the Galaxy…and to all 117 of our supporters on Patreon who make all this possible.
NEXT WEEK:  We are on a break.  Rest up your ears!
TWO WEEKS FROM NOW: Batman v. Superman v. I Hate The Internet.  Be there!
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DemonLast

0:00-19:00: Greetings!  Welcome to our new, super-speedy show notes!  As you may have picked up on by our subtle cues here and there on the podcast, Jeff’s schedule (and life) is changing up a bit.  Until he catches up with it, or it catches up with him, welcome to our express show notes, now with 95% less lists, quotes and jokes.  Take, for example, this opening patch where we talk about how this podcast was recorded during the first day of DC Rebirth announcements at the ComicsPro conference in Portland, Oregon.  It’s also the day Jason Shiga’s last issue of Demon was released digitally to patrons of Shiga’s Patreon (and we got our hard copy in the mail too).  So first, it’s Jeff talking about how much he enjoyed the final issues and Graeme talking about how he fell behind, and then it’s on to us talking about DC’s announced plan for Rebirth.  Seventeen titles published biweekly?  SEVENTEEN?  Yup!  We run down the list, and try to handicap the odds which is tough since the creative teams won’t be announced until Wondercon.

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19:00-34:00: Then around the nineteen minute mark, with a bit of an aside for a few late breaking (and kind of fake) announcements, we talk about Wonder Woman’s various creative runs since the George Perez days—good runs, bad runs, and runs that, for whatever reason, never caught on with the reading public.  Will (as rumored) Marguerite Bennett have a better luck on the title…biweekly?
34:00-54:10: The success of reboots in this marketplace can be tough to measure since the marketplace is so tough overall: Graeme has looked at some of the sales at All-New, All-Different Marvel and points out a book that is clearly dead in the water by its second issue.  But we then Jeff drags Graeme back into listing the various biweekly titles so we can continue handicap them, in part because Jeff just can’t conceive of the idea of, say, Green Arrow biweekly or a Green Lantern title coming out every week. If you like your comic book speculation to be all about “Well, I don’t know if Peter Tomasi can sell two biweekly Superman titles” and less on the “hey, I flipped that first appearance of Harley Quinn on eBay for $50 last week”?  This whole long section should be your jam.

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54:10-1:13:30:  Graeme, as I now suspect he meant to do earlier before Jeff dragged him back onto the DC Rebirth announcement train, goes on to talk about the Marvel sales numbers, and compare them to earlier renumbering of the same series to get a sense of whether or not renumbering gives more than a short-term bump to sales.  The answer? Uh, no, maybe not!  Fortunately, we do talk a lot about various Spider-Man titles along the way, including Graeme’s recommendation for Spider-Man and the X-Men by Elliot Kalan and Marco Failla, some strong Marvel Adventures Spider-Man featuring work by Paul Samnee.  As for Jeff, he’s said it before and he’ll say it again: he’s been enjoying Spidey by Robbie Thompson and Nick Bradshaw, and Spider-Man/Deadpool by Joe Kelly and Ed McGuinness.
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1:13:30-1:30:54:  In that vein, we talk about the first issue of Power Man & Iron Fist by David Walker and Sanford Greene.  Amazingly enough, we haven’t talked enough about the original incarnation of that title, especially the long, excellent run by writer Jo Duffy from back in the ’80s: it really is amazing because it’s a favorite of both Jeff and Graeme.  So how did they react to this new incarnation, one clearly written by an equally big fan?  Listen in, I tell you! (Although SPOILERS: we spoil the first issue from page the first to page the last.)  And we fit a lot of other stuff in there, don’t worry.

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1:30:54-1:49:41: Sex Criminals #14 by Matt Fraction and Chip Zdarsky! Jeff read it and wants to talk about it, so he does.  Those of us who remember our “glory” days of talking about Fraction may admire our newfound ability to talk about the writer without getting weirdly obsessive and personal about it…or maybe not?  We hope so, anyway.
1:49:41-2:08:30: Batman #49 by Scott Snyder and Yanick Paquette! Jeff also read this and wanted to talk about it, especially in light of our previous discussions about this current storyline, Superheavy.  Jeff thinks this stuff is so strong he really wants to see more DC work from the Scott Snyder who can really own his influences the way Batman #49 does, and would be excited to see Snyder on Justice League.  But Graeme?  Well, Graeme has some pretty good reasons for why his feeling is, uh, not so much.  And just as we had a big long talk about the post-Crisis creative teams of Wonder Woman, we do the same here about JLA.

SpidGwenTour

2:08:30-2:12:06:  Time for Jeff’s regular update on Radioactive Spider-Gwen, although the reason for this particular update is that even though the writing is by Jason Latour, the art on issue #5 is by Chris Visions, not Robbi Rodriguez and the storytelling is already a lot more assured and driven. (And the coloring by Ricco Renzi helps a huge amount.)
2:12:06-end: Closing comments! Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr! Our special thanks to the kind crew at American Ninth Art Studios for their continuing support of this podcast, as well as our continuing special thanks to the Empress Audrey, Queen of the Galaxy…and to all 117 of our supporters on Patreon who make all this possible.

Next week: It’s a skip week!  Catch up on your Wait, What episodes! Do some early prep for the next Baxter Building, maybe?  But whatever you do, please enjoy it!  And we hope you also enjoy our next episode when it pops up on your feed, in your ears…and in your heart.  Awwww.

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