0:01-23:08:  Greetings from Graeme “Burp!” McMillan and Jeff “Saliva!” Lester, where your two faithful podcasters are here at your service, despite problems with taxes, and talking, and breathing.  Thanks to tax prep, we look back at the state of digital affairs for Jeff’s library with talk about the amazing month of March and April 2018; do a quick review of the state of comic streaming services we use and what’s changed about them; more singing of the praises of Hoopla (for comics, anyway); whether Jeff should get the DC Universe app, and more.
23:08-35:50: From there, a sort of strange left turn: the new redband trailer for Hellboy resurfaces a tweet from B.P.R.D. and Hellboyverse writer John Arcudi.  Did Arcudi leave Hellboy and B.P.R.D. (and Guy Davis leave comics altogether) based on how they were handled and/or (un)compensated in relation to this?  The Magic Eightball says “All Signs Point To ‘Comics Will Break Your Heart.’”  Also discusssed: reaction to the original trailer; reaction to rough cuts of the film; Vague Recollections of Forgotten Dinner Parties; the filmography of Neil Marshall; the strangeness of having people hype things that don’t seem like what they’re hyping; and more.
35:50-53:52: The Hellboy thing may leave a bad taste in your mouth if you’re a B.P.R.D. fan, but Jeff’s not really into it or Hellboy.  He is, of course, alternately appalled, guilty about, and mystified by the Wikipedia summary of Doomsday Clock, Geoff Johns and Gary Frank taking the Watchmen characters into the DCU.  Graeme has read issue #9 of the book (not out until later this week so Graeme does superhuman work in trying to avoid spoilers of any kind) and we discuss what’s come before, what might be coming next, and what Johns is trying to say (apart from “back up the money truck”).
53:52-1:01:51: And from our discussion about narrative jumps, Jeff goes on to mention the first five issues of Exorsisters by the talented team of Ian Boothby and Gisele LaGace.  Jeff is heavily in the tank for these two, so what did he think of the book? The answer may surprise you…or at least baffle you?  (Jeff is clearly baffled, as you’ll hear.)  Jeff summarizes the book, talks about its charms, and entreats Graeme to read the issues so we can talk about it more.
1:01:51-1:04:57: Jeff’s got a throughline in mind as he transitions from Exorsisters to Action Comics #1008 by Brian Michael Bendis and the terrific Steve Epting.  (Jeff really didn’t talk about it here, but man does Epting’s stuff look gorgeous on the DC characters!)  That throughline, fortunately or unfortunately, tiptoes around Crabby Jeff and tries to hew close to the path of Diplomatic Jeff.  (There’s also an all-too-brief shoutout to Satoru Noda’s Golden Kamuy, which is still flat-out excellent.)
1:04:57-1:53:43: Part of why Epting and Noda get short-shrift is Graeme chimes in with his experience about catching up on Tom King’s Batman, which Graeme hadn’t read since September.  There’s been some grumbling about the pacing and storytelling choices King has made with the title since issue #50—do those grumblings have merit for someone reading all those issues in a oner? (1er?)  Also discussed: Heroes in Crisis #6; subtext becoming text; the futility of a work-for-hire creator as embodied in a work-for-hire creation; Batman RIP; Mortal Kombat and common ground; movie violence in the ‘80s; and, quite obviously, us back to circling around Doomsday Clock again (ha, “circling!”)
1:40:15-1:53:43: Graeme still hasn’t seen Aquaman! But that may well be rectified *very* soon, thank goodness.  And Jeff re-saw Spider-Man: Into The Spider-Verse, and has a lot of thoughts about, many of which are informed by…Natalie Nourigat’s I Moved to Los Angeles to Work in Animation?  Really?  Warning: big ol’ spoilers for the movie and in-depth descriptions so take a pass if you haven’t yet seen this (really excellent) film.
1:53:43-2:05:35: Graeme has picked up a bunch of old 80 pg. dollar Superman Family comics, describes ‘em for our delight, and sings the praises of low-stakes/no-stakes comics.
2:05:35-2:20:21:  As for Jeff and the old comics routine, thanks to the wonderful David Wolkin, Jeff has read issue #131 of Dark Horse Presents from 1998, and issues #1 and #2 of Nightmares from Doug Moench, Paul Gulacy, and Don McGregor, published by Eclipse all the way back in 1985!
2:20:21-2:37:33:  News?  Well, maybe there’s some somewhere, but the only stuff we can think of worth mentioning is, as Graeme rightly points out, everyone should check out the trio of speeches given at ComicsPro by ex-DC Marketing Director Bob Wayne, and retailers Brian Hibbs and Joe Field.  And there’s also a bit of a lazy roundup of stories, or maybe as much roundup as a week that includes “Marvel Meow.”
2:37:33-end:  Closing comments!  Look for us on  Stitcher! Itunes! Instagram! Twitter together and separately: Graeme and Jeff! MattTumblr, and  on Patreon where a wonderful group of people make this all possible, including Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for her continuing support of this podcast.
NEXT WEEK:
Facebooktwitterredditpinterestlinkedintumblrmail

0:01-06:18:  Greetings from the very first “Wait, What?” podcast of the year! Graeme “Blade Runner Year” McMillan and Jeff “The New Barbarians Year” Lester.  We start off by talking about the list compiled of movies set in the year 2019.  (Probably not this list, but maybe?)  We also talk about other fictional epochs we’ve lived through, pranking the generations to come, and more.
06:18-30:46: How does this lead into our discussion of League of Extraordinary Gentlemen: Century?  The answer may surprise you! (Unless you’ve listened to us before, I guess.)  But from there on out, it’s the Wait, What? version of Festivus with the airing of the Alan Moore-related grievances. Discussed: Alan Moore and sex; Elizabeth Sandifer’s The Last War in Albion; whether Moore is an Eighties artist or a Seventies artist; a Springsteen analogy that lamentably never comes together; Alan Moore and Star Wars; Who would win in a fight: passive vs. aggressive?; and more.
30:46-1:10:02: We move from there to Shelfdust’s Top 100 Comic Book Issues of All Time, in part as a way to discuss the generation gap as reflected through comics and in part to realize where we fit in the gap and also in part to throw some stink-eye at some of the choices. Also discussed: George Romero; Ernest Hemingway; Chuck Klosterman; the Top Ten of the Shelfdust list; The Top Twenty of the Shelfdust list; being recognized today vs. being recognized “back in the day;” the amount of Azzarello, Ellis, and Ennis on the list; and more.
1:10:02-1:25:21 (or thereabouts): In a sudden surge of anecdotalism, Jeff thinks there’s a sudden uptick in Harry Potter hot takes. And we’re not just talking about the toilet facts recently disclosed about the Potterverse.  Also discussed: big books; Neil Gaiman; what it will be like when Jeff has a stroke; and more.
[omac]
1:25:21 (or thereabouts)-1:29:38: Back to more Shelfdust talk! Graeme contributed to the list—what book that he picked ranked the highest on the Top 100. And speaking of which Graeme’s list (in *ascending* order):
  1. New Guardians #1
  2. Invisibles #12
  3. Uncanny X-Men #185
  4. Or Else #2
  5. Deadline #5
  6. Mister Miracle #10 (King/Gerads version)
  7. Flex Mentallo #4
  8. OMAC #1
  9. Dork #7
  10. Graffiti Kitchen
1:29:38-2:35:37: Ah, and then, just like the warmth of Spring, the pleasantries of the Shelfdust discussion fade, as we move on to discuss Abhay’s controversial post about Tom King’s employment by the CIA, comic industry vetting, and what and what the industry wants if it wants an ex-member of the CIA writing Batman.  Part of why this post was controversial is in how its reception goes hand in hand with what some of us think about Abhay, what some of us think about his motivations in his post, and what some of us think about what some of us think.  In short: LET’S WATCH GRAEME AND JEFF FIGHT.
2:35:37-2:48:27: (Yes, we really do talk about it *that* long.)  Anyway, we’re aware we’re running horrifyingly long, but neither of us would forgive ourselves if we didn’t try to at least briefly sing the praises of Spider-Man:  Into The Spider-Verse (and talk a bit about how baffling it is that it’s not bigger despite the amount of raving done about it).  Also discussed: Aquaman has made a huge chunk of money and is incredibly financially successful—so why don’t we know anyone who sees it?
2:48:27-end: Closing comments!  We had to make ‘em!  Look for us on  Stitcher! Itunes! Instagram! Twitter together and separately: Graeme and Jeff! MattTumblr, and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.  And then we’re out!
NEXT WEEK:  Wait, What? Ep. 262! Probably much shorter and with less fighting!  Join us!
Facebooktwitterredditpinterestlinkedintumblrmail