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0:00-4:06: Greetings!  How’s the weather, you ask?  Well, Graeme McMillan and the rest of Portland, Oregon are boiling alive!  Jeff’s fine, thanks for asking, but since he knows fine doesn’t carry well—podcasts being what Marshall McLuhan would call a “hot” medium—he moves us to the towering mountain of remaining listeners’ questions!  Will he and Graeme get through all of the questions by the end of the podcast?  Place your bets now!

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4:06-16:24:  Kevin Moreau asks:  I have two questions that I hope you can find the time to answer as you’re patrolling Hub City to keep us all safe from crime. 1.  It’s well known that Graeme is not a fan of the Marvel Cinematic Universe movies. Is there a comic-book movie (MCU, DC or otherwise) made since the dawn of the MCU (so since 2008) that you love or at least like, and what does it do right that the MCU movies largely don’t? (Primarily for Graeme, but Jeff please feel free to chime in as well.)

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16:24-27:51: Kevin also wants to know:  2. Largely for Jeff, but if Graeme has any input, please feel free: I find manga largely impenetrable, but I want to give it a fair shake. What is it that appeals to you about the form, and what would you recommend for a newbie who finds it hard to get past the cartoon-y expressions and overall exaggerated nature of what little I’ve glimpsed?
27:51-35:51:  Charles Forsman inquires:   1. Spawn/Batman or Batman/Spawn?  2. What’s the deal with all these comic books coming out every week?

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35:51-47:20: Tom Bondurant queries: DC/Warners are putting out an animated version of The Judas Contract, in which a spunky 16-year-old superheroine is (spoilers!) revealed to be a stone-cold sociopath who hates the Teen Titans, is probably sleeping with the much-older Deathstroke the Terminator, and dies after being literally buried by her own rage-spawned freakout. I still have a lot of affection for TJC, especially in the context of New Teen Titans generally, but a) does it seem that problematic to you and b) what changes, if any, do you expect the adaptation to make?
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47:20-55:50:  Matt Miller wonders:  Already asked one of my questions on Twitter, so here’s my 2nd: You two are starting a Crossgen-esque company dealing in popular (but non-superhero) genres. What two writer/artist teams (or cartoonists) would you recruit and what genre do you put them on?
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55:50-1:02:40:   Evan Harrison Cass interrogates:  Jeff, what is your current ethical stand regarding the purchase of Marvel product? I’ve lost track.  Also:  When Tim Seeley and Tom King were co-writing their critically acclaimed Grayson run, most critics – including you two – assumed Seeley’s contribution wasn’t as ‘key’ as King’s. I know for a fact that Tim felt frustrated that he wasn’t given fair credit for bits that were his that were critically celebrated. What shapes the impression that a Seeley type writer is B-list while a King type is A-list?
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1:02:40-1:11:46:  Ray Mescallado queries:   You get to greenlight a Legion of Super-Heroes movie. What era of Legion would you use (Grell 70s, Levitz/Giffen, Five Years After, reboot, threeboot, etc) and why? Would you connect it to the cinematic DCU and how? Which Legionnaires would you focus on, and who do you imagine playing their roles?
1:11:46-1:22:18:   Levi Tompkins ponders: Do you think the lack of lgbtqi characters in Marvel books now is a result of them worried about how to deal with presenting those characters in other mediums like cartoons and movies? What do you think of valiant’s plans to create a movie-verse, or valiant’s attempts at extending their brand into other media formats in general?
Celestials1:22:18-1:30:58:  Garrett asks:  My question(s) are: Could a Jack Kirby (creative output and brand new ideas) exist in today’s comic’s industry? Are there any writers, artists, or writer/artists currently working today that come close?
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1:30:58-1:41:52:   Adam Wolfe inquires: 1st question: I read the first Flintstones by Mark Russell and I have the same feeling about it that I usually do after reading a Thomas Pynchon book: amused, a little perplexed, not sure if I get everything the author put in, but ultimately this feeling that I read something intellectual that I should feel smart for having read. Ultimately I think I enjoyed it but I was wondering, what are your thoughts on this series and is Russell’s Prez going to see a second volume? 2nd question: Do you think that Grant Morrison steal his idea of transporting to different universe through a musical instrument in Multiversity from the Heman Masters of the Universe movie from the 80s? There’s a dwarf like creature in that movie that uses a type of flute if I recall to travel back and forth from our realm to that Eternia.
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1:41:52-1:52:48:   Roger Winston (Flasshe) cross-examines: 1) As a big time Legion of Super-Heroes fanboy from way back (Cockrum, Grell, Levitz/Giffen, beyond) I am incensed that DC doesn’t know what to do with the LSH these days. Why is that? Is the concept just not something that connects with modern audiences? Or have they just not found the correct approach or creators to make it work nowadays? What do you think DC should do with the property? (I’m counting all this as one question, though you are free to handle it as you see fit.)  (2) What is your preferred comic reading environment? For me, it’s iPad/recliner/beer/music on the headphones, usually after work and before dinner. If I try to read in bed at night, it’s snooze-land and no retention.
1:52:48-1:53:04:  Yonatan offers: when DC finally brings the Legion back, what creative team? 
1:53:04-1:56:18:  Dave Clarke requests: compare and contrast Judge Dredd big summer events with those of the big 2?
1:56:18-1:57:44:  Steven E. Chambers plays good cop:  easy one: have you two been keeping up with Rucka and Lark’s Lazarus?
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1:57:44-2:01:10:  Scott Rowland is bad cop:  I’m 100 episodes behind, so you may have covered, but any thoughts on Steve Ditko’s independent work over the years? And thoughts on Ditjko’s string of modest, but successful Kickstarters to publish new material? 
2:01:10-2:06:08: Art Lyon is dramatic reading cop:  What long-run title would u analyze a la your Baxter Building eps if u weren’t doing FF or – gasp! – *after* u finish FF?
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2:06:08-end: Closing comments! Next week will be a Q&A session so please feel free to tweet or email us your questions. Look for us on  Stitcher! Itunes! Twitter together and separately: Graeme and Jeff! MattTumblr,  and  on Patreon where a wonderful group of people make this all possible, including the kind crew at American Ninth Art Studios and Empress Audrey, Queen of the Galaxy, to whom we are especially grateful for their continuing support of this podcast.
Next week:  Baxter Building Episode #20!  Fantastic Four #171-184!  Join us!
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Greetings, Groovy Star-Folk!  We are back with more than two plus hours of 2-D space exploration, far past the safe, sea-shaded atmosphere of other comic book podcasts. Remember!  Below, you can find the celestial safety chart so that you may pass securely through the cosmic ray hologram we call “Wait, What? Episode One Hundred and Seventy.”  And remember, if you get lost you can always hitch a ride home on a moonbeam.  (Also, that if you just want the link to the podcast to cut and paste into the browser or player of your choice, look to our first post in our comment threads below.)

FIVE…FOUR…THREE…TWO….ONE….IGNITION…BLAST OFF:

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00:00-03:53: Welcome to, as Graeme puts it, “possibly our doggiest episode ever,” as he tries to record with three dogs in his office.

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03:53-25:57: But with that quick caveat in mind, we are pretty much off to the races as Graeme has read comp copies of Suiciders #1 by Lee Bermejo (which we punt on, since Jeff intends to read) and Black Hood #1 by Duane Swierczynski and Michael Gaydos, which Graeme compares to Bendis and Maleev’s Daredevil saying, “If you like that, you’ll like this.” With the shadow of the Powers TV show looming overhead, Jeff is a bit more interested in talking about his frustration with Bendis: comparisons to Mark Millar are uttered, original content on emerging platforms are discussed, Netflix original programming is bandied about, watching habits about same are confessed, and traditional expectations are upended. Mentioned:  Powers, Arrested Development, Orange is the New Black, and just where the hell does all the time go?

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25:57-45:23: And on that last point, Jeff talks about reading manga on Crunchyroll, more specifically the experience of reading 50+ chapters of Fuuka by Kouji Seo over the course of four or so days. Jeff also talks about the rapturous experience of reading 100 chapters of Masakazu Ishiguoro’s Soredemo Machi wa Mawatteiru, but really the focus here is Fuuka and how the storyline takes some, shall we say, *unconventional* turns.  SPOILERS APLENTY for Fuuka,as Jeff pretty much gives up all the plot points up until now.

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45:23-52:49: Jeff also bought and read all four issues of Marvel’s Night Nurse during the Marvel BOGO sale at Comixology.  Since Jeff was in the process of writing about it, Graeme doesn’t ask him about the series but instead some rather tough questions.  Questions like:  “Now that you’re read them all, would you do that again?” and “how many Kindle versions of Watchmen do you own, Jeff?” “How many print versions do you own?”  “I’m sorry, how many?”  Yes, it’s time for INTERVENTION: THE WAIT, WHAT? EDITION as Graeme and Jeff talk about owning copies of multiple books and multiple options.

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52:49-1:41:43: Fortunately, we don’t dwell too long on “The horror! The horror!” as the almighty Empress Audrey decreed that Graeme and I were to read the first year of Legion of Superheroes: Five Years Later by Keith Giffen, Tom and Mary Bierbaum, and Al Gordon (with editing by Mark Waid and Michael Eury).  Semi-suspect subjects that we are, we managed to get the first six issues read in time to discuss for this episode. Graeme, who has previous history with this title, gives us the context in which he first read these issues.

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Jeff, who only has the slightest history with the Legion, gives us his impressions as he tries to figure out what the hell is going on in those first few issues. Discussed: Giffen’s storytelling verve; the Five Years Later Legion as a reaction and development of a lot of influences in comics at the time; the FYL Legion as an early example of the flash-forward storytelling that grows in influence in late 20th and early 21st Century; the FYL Legion and Watchmen; 5YL era Giffen and modern day Kevin Huizenga; Jeff deciding that “maximialize” is a word, and is perfectly acceptable to use when making a point; issue #5 of 5YL and Mark Waid’s Empire; issues #6 of 5YL and J.J. Abrams’ Star Trek; The bicycle as a surrealist version of a leg; science-fiction names; the legacy of Paul Levitz; and much, much (much!) more.

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1:41:43-2:02:26: On a related note, Jeff talks about a single panel he saw in his recent read of the Superman Vs. Mongul trade that he thinks explains Paul Levitz’s legacy perfectly, and how it relates to Grant Morrison. Also discussed (perhaps inevitably): James Robinson and Starman; Steve Englehart; Jim Starlin; Marvel Unlimited; and much more.
2:02:26-2:13:35:  Closing comments?  Well, you would think so, and we thought so.  But then Jeff remembers he really does have some questions he wishes to pepper Graeme about Multiversity: Mastermen by Grant Morrison and Jim Lee.  So we talk about that for close to ten minutes.
2:13:35-end:  Okay, no, really:  Closing comments!  Here’s our recording schedule (Baxter Building tip:  read issues #25-36 plus Annual #2 if you want to be current for our next podcast.) Inherent Tote Bags! Places to look for us at—Stitcher! Itunes! Twitter! Tumblr! and, of course, on Patreon where, as of this count, 95 patrons make this whole thing possible.

We’ll talk again next week!  Until then, we wish you safe re-entry!

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